Pedals that stack with the Mooer A7 Ambience

A7 Ambience's digital, church-style reverb closes out the Klon's midrange breakup with spacious ambience instead of more gain.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Mooer A7 Ambience after Airis Effects SPEC-Defier in the signal chain, clear of Airis Effects SPEC-Defier's own gain stage

Comes earlier in the signal chain

The A7's church-voiced ambient reverb doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal a spacious tail to decay into.

Comes earlier in the signal chain

Run the Phase 90 before the A7 so the phaser sweep gets wrapped in the ambient reverb's church-like tail.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Mooer A7 Ambience after REVV G4 V2 Distortion in the signal chain, clear of REVV G4 V2 Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Mooer A7 Ambience after Boss HM-3 Hyper Metal in the signal chain, clear of Boss HM-3 Hyper Metal's own gain stage

Comes earlier in the signal chain

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Mooer A7 Ambience in the signal chain, where it won't crowd Mooer A7 Ambience

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Mooer A7 Ambience after NuX Brownie in the signal chain, clear of NuX Brownie's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Mooer A7 Ambience after Carl Martin Crush Zone in the signal chain, clear of Carl Martin Crush Zone's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Mooer A7 Ambience after Wampler Golden Jubilee in the signal chain, clear of Wampler Golden Jubilee's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Mooer A7 Ambience after Universal Audio Knuckles '92 Dual Rec Amplifier in the signal chain, clear of Universal Audio Knuckles '92 Dual Rec Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Mooer A7 Ambience after Amptweaker Big Rock Pro II in the signal chain, clear of Amptweaker Big Rock Pro II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Mooer A7 Ambience after Caline CP-15 in the signal chain, clear of Caline CP-15's own gain stage

Comes earlier in the signal chain