REVV G4 V2 Distortion

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Marshall JCM800 2203 and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Peavey VTM-120 and it comes out closer to tight

Comes later in the signal chain

Comes later in the signal chain

Aguilar SL110 Fawn Limited takes that high gain character and pushes it toward tight

Comes later in the signal chain

EBS Magni 502 2x10 bass combo pushes a high gain tone toward tight

Comes later in the signal chain

Gallien-Krueger Legacy 410 pushes a high gain tone toward tight

Comes later in the signal chain

Gallien-Krueger Legacy 210 Bass Combo takes that high gain character and pushes it toward tight

Comes later in the signal chain

Stack Gallien-Krueger Fusion 210 on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

Feed a high gain signal into Phil Jones BG-400 Suitcase Compact Bass Combo and it comes out closer to mid-forward

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

JAM Pedals Tubedreamer takes that high gain character and pushes it toward mid-forward

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Electro-Harmonix Deluxe Electric Mistress's shimmer voice goes after REVV G4 V2 Distortion in the signal chain — it's not there to compete with REVV G4 V2 Distortion's own high gain character

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Suhr Shiba Drive takes that high gain character and pushes it toward mid-forward

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Demon FX Call 76's own compressed character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep REVV G4 V2 Distortion's high gain voice out front: Meris Mercury7 Reverb goes after REVV G4 V2 Distortion in the signal chain so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Mooer A7 Ambience after REVV G4 V2 Distortion in the signal chain, clear of REVV G4 V2 Distortion's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes earlier in the signal chain

MXR CAE Wah goes in front of REVV G4 V2 Distortion — a wah tracks picking dynamics best on the raw signal

Comes later in the signal chain

JAM Pedals RetroVibe Mk.4 pushes a high gain tone toward mid-forward