Amps that pair well with the Eventide Modulated Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Ampeg BA- 115 V2's effects loop, clear of Ampeg BA- 115 V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Blackstar Artist 15's effects loop, clear of Blackstar Artist 15's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Morgan MVP66 Head's effects loop — it's not there to compete with Morgan MVP66 Head's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Ceriatone Lightning 15's effects loop — it's not there to compete with Ceriatone Lightning 15's own glassy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay in Milkman Sound Beekeeper 18W 1x12 Combo's effects loop, clear of Milkman Sound Beekeeper 18W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Crate V18-212's effects loop — it's not there to compete with Crate V18-212's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Laney Digbeth Foundry DBF200's effects loop, clear of Laney Digbeth Foundry DBF200's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay in Aguilar AG 500 V2's effects loop, clear of Aguilar AG 500 V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in ENGL E650 Ritchie Blackmore Signature's effects loop, clear of ENGL E650 Ritchie Blackmore Signature's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay in Aguilar AG700 V2's effects loop, clear of Aguilar AG700 V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in Milkman 85W Pedal Steel Amplifier's effects loop, clear of Milkman 85W Pedal Steel Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in Blackstar Unity Bass U500's effects loop, clear of Blackstar Unity Bass U500's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in Hartke Lightweight Bass Amplifier's effects loop, clear of Hartke Lightweight Bass Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Bad Cat Cub V Handwired 15-Watt Tube's effects loop — it's not there to compete with Bad Cat Cub V Handwired 15-Watt Tube's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes in Blackstar BASSU120 Unity 120-Watt Bass Amplifier's effects loop — it's not there to compete with Blackstar BASSU120 Unity 120-Watt Bass Amplifier's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay in Blackstar Series One 100 MkII's effects loop, clear of Blackstar Series One 100 MkII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay in Amplified Nation Overdrive Reverb 1x12 Combo's effects loop, clear of Amplified Nation Overdrive Reverb 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay in Gallien-Krueger 112-II Combo's effects loop, clear of Gallien-Krueger 112-II Combo's own gain stage

Comes earlier in the signal chain