Amps that pair well with the Eventide Modulated Delay

Two-Rock Classic Reverb Signature 6V6 40W Head

Into the Signature 40's smooth, blues-voiced headroom, the Modulated Delay's warm, vintage-voiced echo has real room to trail off.

Two-Rock Silver Sterling Signature 150W Head

The Silver Sterling 150's smooth clean-platform headroom gives the Modulated Delay's warm, vintage-voiced echo a huge amp voice to trail off against.

Dumble Overdrive Special Amp Head

The Modulated Delay's warm, vintage-voiced repeats are built for an effects loop, keeping them clear of the Dumble's own preamp breakup.

Two-Rock Vintage Deluxe 6L6 35W 1x12 Combo

The Modulated Delay's warm, vintage-voiced echo belongs in the Vintage Deluxe's loop, clear of the amp's own glassy, uncompressed sag.

Two-Rock Classic Reverb Signature 6V6 40W 1x12 Combo

Keep the Modulated Delay's warm, vintage-voiced echo in the Signature 40's loop, clear of the amp's own club-ready, transformer-driven headroom.

Dumble Steel String Singer

The Modulated Delay's warm, vintage-voiced repeats sit in the Dumble's loop, clear of its own liquid breakup.

Two-Rock Vintage Deluxe 6L6 35W Head

Keep the Modulated Delay's warm, vintage-voiced echo in the Vintage Deluxe Head's loop, clear of the amp's own touch-sensitive, dynamic sag.

Amplified Nation Dirty Wonderland

Keep the Modulated Delay's warm, analog-voiced echo in the Dirty Wonderland's loop, clear of the amp's own spacious, dirty breakup.

Two-Rock Bloomfield Drive 6V6 40W 1x12 Combo

The Modulated Delay's warm, vintage-voiced repeats belong in the Bloomfield Drive's loop, clear of the amp's own high-gain breakup.

Fuchs Blackjack 21 MKII

Keep the Modulated Delay's warm, vintage-voiced echo in the Blackjack's loop, clear of the amp's own touch-responsive, natural breakup.

Ceriatone Overtone Special

Keep the Modulated Delay's warm, analog-voiced echo in the Overtone Special's loop, clear of the amp's own vocal, pedal-friendly clean platform.

Two-Rock TS1 40/20W Combo

Keep the Modulated Delay's warm, vintage-voiced echo in the TS1's loop, clear of the amp's own smooth, rich clean platform.

Two-Rock Bloomfield Drive 6L6 100W Head

Keep the Modulated Delay's warm, vintage-voiced echo in the Bloomfield Drive's loop, clear of the amp's own smooth, fusion-voiced headroom.

Two-Rock Classic Reverb 100W Head

The Modulated Delay's warm, vintage-voiced echo belongs in the Classic Reverb's loop, clear of the amp's own clear, pedal-friendly headroom.

Two-Rock Silver Sterling Signature 100/50W

Keep the Modulated Delay's warm, vintage-voiced echo in the Silver Sterling's loop, clear of the amp's own full, transformer-driven headroom.

Two-Rock Silver Sterling Signature 150/75W

The Modulated Delay's warm, vintage-voiced echo belongs in the Silver Sterling 150's loop, clear of the amp's own touring-grade harmonic headroom.

Two-Rock TRCR100HD 100W Classic Reverb Tube Guitar Amp Head

Eventide Modulated Delay is voiced for Dumble-style amps — Two-Rock TRCR100HD 100W Classic Reverb Tube Guitar Amp Head gives it exactly that

Bruno Cowtipper 22

Put the Eventide's modulated delay in the Cowtipper's loop and its warm, pitch-wobbling repeats trail the amp's clean breakup instead of muddying it.

1960s Fender Super Reverb

Keep 1960s Fender Super Reverb's spring voice out front: Eventide Modulated Delay goes in 1960s Fender Super Reverb's effects loop so its modulated voice doesn't muddy it

Fender '59 Bassman LTD

Keep Eventide Modulated Delay in Fender '59 Bassman LTD's effects loop, clear of Fender '59 Bassman LTD's own gain stage

1950s Fender Twin

Keep the Modulated Delay in the Twin's loop for warm, modulated analog-voiced repeats beyond the amp's own bright preamp clarity.

1958 Fender Twin 5F8-4

Keep the Modulated Delay in the Twin 5F8-4's loop for warm, analog-voiced repeats beyond the amp's own complex tube headroom.