Pedals that stack with the Eventide Modulated Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Xotic RC Booster V2 in the signal chain, clear of Xotic RC Booster V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after JAM Pedals Lucy Dreamer in the signal chain, clear of JAM Pedals Lucy Dreamer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Electro-Harmonix Lizard Queen Octave/Fuzz in the signal chain — it's not there to compete with Electro-Harmonix Lizard Queen Octave/Fuzz's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Mad Professor Super Black in the signal chain, clear of Mad Professor Super Black's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Mad Professor Loud N Proud in the signal chain — it's not there to compete with Mad Professor Loud N Proud's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after NuX Horseman Gold 2 in 1 Overdrive in the signal chain — it's not there to compete with NuX Horseman Gold 2 in 1 Overdrive's own high headroom character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep CNZ Audio VTR-20's spring voice out front: Eventide Modulated Delay goes after CNZ Audio VTR-20 in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Cusack Music Screamer Fuzz Germanium's germanium voice out front: Eventide Modulated Delay goes after Cusack Music Screamer Fuzz Germanium in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Free The Tone RJ-2V's transparent voice out front: Eventide Modulated Delay goes after Free The Tone RJ-2V in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Caline Blue CP 45 Caline in the signal chain, where it won't crowd Caline Blue CP 45 Caline

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Catalinbread Tribute Parametric Overdrive in the signal chain, clear of Catalinbread Tribute Parametric Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Mesa Boogie Tone Burst Boost in the signal chain, clear of Mesa Boogie Tone Burst Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Crazy Tube Circuits Super Conductor in the signal chain, clear of Crazy Tube Circuits Super Conductor's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Xotic BRC-v2 in the signal chain, clear of Xotic BRC-v2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Albuquerque's Flat line compressor in the signal chain, where it won't crowd Albuquerque's Flat line compressor

Comes earlier in the signal chain