Pedals that stack with the Eventide Modulated Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Empress Effects Drive Analog Overdrive in the signal chain, clear of Empress Effects Drive Analog Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Colour Box V2 10th Anniversary's fuzzy voice out front: Eventide Modulated Delay goes after JHS Colour Box V2 10th Anniversary in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Caline CP-12 Blue Pure Sky in the signal chain — it's not there to compete with Caline CP-12 Blue Pure Sky's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Wampler TCD Compulsion Drive in the signal chain, clear of Wampler TCD Compulsion Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Carl Martin Rock Drive in the signal chain, clear of Carl Martin Rock Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Electro-Harmonix EHX Tortion in the signal chain, clear of Electro-Harmonix EHX Tortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Electro-Harmonix LPB-3 in the signal chain, clear of Electro-Harmonix LPB-3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss CP-1X Compressor's compressed voice out front: Eventide Modulated Delay goes after Boss CP-1X Compressor in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Carl Martin AC-Tone in the signal chain — it's not there to compete with Carl Martin AC-Tone's own glassy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Xotic BB Preamp Andy Timmons Limited Edition Pedal in the signal chain — it's not there to compete with Xotic BB Preamp Andy Timmons Limited Edition Pedal's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Benson Amps Germanium Boost in the signal chain — it's not there to compete with Benson Amps Germanium Boost's own germanium character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Xotic EP-Pro in the signal chain, clear of Xotic EP-Pro's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Beetronics Nectar Tone Sweetener in the signal chain, clear of Beetronics Nectar Tone Sweetener's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion in the signal chain, clear of Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Friedman Plexi-Drive Mini Overdrive in the signal chain, clear of Friedman Plexi-Drive Mini Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Mooer 010 in the signal chain, clear of Mooer 010's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Carl Martin Honey Comp in the signal chain, where it won't crowd Carl Martin Honey Comp

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after DigiTech DOD Looking Glass Signature Designer Distortion in the signal chain, clear of DigiTech DOD Looking Glass Signature Designer Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Catalinbread Sidearm in the signal chain — it's not there to compete with Catalinbread Sidearm's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Wampler Tumnus in the signal chain — it's not there to compete with Wampler Tumnus's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after AZOR AP-305 Compressor in the signal chain, where it won't crowd AZOR AP-305 Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Cusack Music Project 34 in the signal chain, clear of Cusack Music Project 34's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 Crunchtone Overdrive's pristine voice out front: Eventide Modulated Delay goes after Line 6 Crunchtone Overdrive in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after DSM Humboldt Electronics Silver Linings in the signal chain, clear of DSM Humboldt Electronics Silver Linings's own gain stage

Comes earlier in the signal chain