Pedals that stack with the Eventide Modulated Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep NuX Tube Man Mk.II's transparent voice out front: Eventide Modulated Delay goes after NuX Tube Man Mk.II in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after WEM CCB-1 Copicat Boost in the signal chain, clear of WEM CCB-1 Copicat Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Walrus Audio PRS Horsemeat in the signal chain — it's not there to compete with Walrus Audio PRS Horsemeat's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Outlaw Effects Wrangler in the signal chain, where it won't crowd Outlaw Effects Wrangler

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after JHS Pedals JHS 3 Series Rotary Chorus in the signal chain, where it won't crowd JHS Pedals JHS 3 Series Rotary Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Modulated Delay's warm analog repeats trailing after Tight Drive's gated distortion, not before, or the delay repeats an unshaped signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Free The Tone Silky Comp SC-1-CS in the signal chain, where it won't crowd Free The Tone Silky Comp SC-1-CS

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Warm Audio Dirty Boy Jr. Booster's bright voice out front: Eventide Modulated Delay goes after Warm Audio Dirty Boy Jr. Booster in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Lovepedal DOV Death Of Vox Handwired in the signal chain — it's not there to compete with Lovepedal DOV Death Of Vox Handwired's own edge of breakup character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tone City Dry Martini's transparent voice out front: Eventide Modulated Delay goes after Tone City Dry Martini in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after EarthQuaker Devices The Warden in the signal chain — it's not there to compete with EarthQuaker Devices The Warden's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Alexander Pedals Litho Boost in the signal chain, clear of Alexander Pedals Litho Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Fame LEF-319 Noise Gate in the signal chain, where it won't crowd Fame LEF-319 Noise Gate

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Frost Giant Electronics Yama in the signal chain, clear of Frost Giant Electronics Yama's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Electro-Harmonix Battalion Bass Preamp/DI in the signal chain, clear of Electro-Harmonix Battalion Bass Preamp/DI's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro Agena's dynamic voice out front: Eventide Modulated Delay goes after Maestro Agena in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss FA-1 FET Amp's clean boost voice out front: Eventide Modulated Delay goes after Boss FA-1 FET Amp in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Sonicake Trio Rider in the signal chain, clear of Sonicake Trio Rider's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tru-Fi The Newton's bright voice out front: Eventide Modulated Delay goes after Tru-Fi The Newton in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Catalinbread Formula 51 in the signal chain, clear of Catalinbread Formula 51's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after MXR Fat Sugar in the signal chain, clear of MXR Fat Sugar's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Electro-Harmonix Spruce Goose in the signal chain, clear of Electro-Harmonix Spruce Goose's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Carl Martin Hydra boost's clean boost voice out front: Eventide Modulated Delay goes after Carl Martin Hydra boost in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after JHS Unicorn in the signal chain, where it won't crowd JHS Unicorn

Comes earlier in the signal chain