Pedals that stack with the Eventide Modulated Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Black Arts Toneworks Witch Burner in the signal chain, clear of Black Arts Toneworks Witch Burner's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Pedals JHS Tumnus's bright voice out front: Eventide Modulated Delay goes after JHS Pedals JHS Tumnus in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Friedman IR-J Jake E Lee Boost in the signal chain, clear of Friedman IR-J Jake E Lee Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Boss NS-2 Noise Suppressor in the signal chain, where it won't crowd Boss NS-2 Noise Suppressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Browne Amplification The Atom Nashville Overdrive in the signal chain, clear of Browne Amplification The Atom Nashville Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Santa Ana Overdrive's dynamic voice out front: Eventide Modulated Delay goes after Fender Santa Ana Overdrive in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Boss AC-3 in the signal chain — it's not there to compete with Boss AC-3's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Ampworx Vintage Series DC30's bright voice out front: Eventide Modulated Delay goes after TC Electronic Ampworx Vintage Series DC30 in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after ToneConcepts Distillery 'The Luke' in the signal chain — it's not there to compete with ToneConcepts Distillery 'The Luke''s own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BC-1X's compressed voice out front: Eventide Modulated Delay goes after Boss BC-1X in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Electro-Harmonix Bass Metaphors in the signal chain, clear of Electro-Harmonix Bass Metaphors's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mooer Twin Tender Octaver Pro's octave voice out front: Eventide Modulated Delay goes after Mooer Twin Tender Octaver Pro in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Chaos Custom Shop Sub Sonic Filter in the signal chain, where it won't crowd Chaos Custom Shop Sub Sonic Filter

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Vox Valvenergy Power Burst in the signal chain — it's not there to compete with Vox Valvenergy Power Burst's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Whirlwind Rochester Orange Box in the signal chain, where it won't crowd Whirlwind Rochester Orange Box

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Behringer BEQ700 Bass Graphic Equalizer Effetto in the signal chain, where it won't crowd Behringer BEQ700 Bass Graphic Equalizer Effetto

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Wampler Tumnus V2 in the signal chain — it's not there to compete with Wampler Tumnus V2's own airy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after J. Rockett Archer Clean in the signal chain, clear of J. Rockett Archer Clean's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Soul Food's bright voice out front: Eventide Modulated Delay goes after Electro-Harmonix Soul Food in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Xotic BB Preamp V1.5 in the signal chain — it's not there to compete with Xotic BB Preamp V1.5's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Circuit Rider Effects SiClops's glassy voice out front: Eventide Modulated Delay goes after Circuit Rider Effects SiClops in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after MXR M233 in the signal chain, clear of MXR M233's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Browne Amplification Carbon V2 in the signal chain, clear of Browne Amplification Carbon V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Demeter Compulator in the signal chain, where it won't crowd Demeter Compulator

Comes earlier in the signal chain