The MXR M233 is an MXR boost pedal. Close alternatives include the MXR MC401 Boost/Line Driver and the Xotic RC Booster. It pairs well with the Marshall Bluesbreaker and the Marshall JTM45 45W Tube Guitar Amp Head.
MXR M233
MXR · pedal
The MXR M233 Micro Amp+ updates the long-running Micro Amp clean boost with a two-band EQ, low-noise op-amps and true bypass switching. It provides up to 26dB of transparent gain for driving the front end of an amp harder or lifting a solo, but where the original offered only a level control, the Micro Amp+ adds Bass and Treble controls that reviewers describe as unusually responsive -- close to an extension of the guitar's own tone controls, letting the boosted signal be warmed up or brightened rather than simply made louder. The low-noise op-amps keep it quiet even at extreme boost settings, and it sits in MXR's standard rugged enclosure. A staple among professional guitar and bass players for over two decades.
What stands out
“Build quality is consistent and reliable across the product range”
— from the community notes
“mxr is one of the most trusted american pedal brands”
— from the community notes
“The low-noise op-amps keep it quiet even at extreme boost settings, and it sits in MXR's standard rugged enclosure”
— from the listing
“It provides up to 26dB of transparent gain for driving the front end of an amp harder or lifting a solo, but where the original offered only a level control, the Micro Amp+ adds Bass and Treble controls that reviewers describe as unusually …”
— from the listing
“MXR maintains consistent quality with Dunlop's reliable American manufacturing”
— from the reviews
Trade-offs
“s production quality”
— from the reviews
- consistent
- american
- treble
- gain
- bass
- transparent
- eq
- bypass
Genres the MXR M233 is commonly used in
- Alternative
cited
Inferred from shared tonal signals, not a stated genre tag. - Country Pop
cited
Inferred from shared tonal signals, not a stated genre tag. - Country
cited
Inferred from shared tonal signals, not a stated genre tag. - Blues
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the MXR M233
Marshall Bluesbreaker
Marshall
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Bluesbreaker leans warm right where the bright tone needs it
Comes later in the signal chain
Marshall JTM45 45W Tube Guitar Amp Head
amplifier
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall JTM45 45W Tube Guitar Amp Head's warm balances out the bright tone
Comes later in the signal chain
Blackstar Unity Bass U250
Blackstar
tonal matchComes later in the signal chain
Run Blackstar Unity Bass U250 after it and the bright edge settles into something more warm
Marshall Vintage Modern 2466
Marshall
tonal matchComes later in the signal chain
Into a transparent tone, Marshall Vintage Modern 2466 brings a pull toward low gain that's missing
Ampeg V-4
Ampeg
tonal matchComes later in the signal chain
Ampeg V-4 leans this transparent tone toward mid-forward, which it doesn't make on its own
Friedman Small Box 50W EL34 Amp Head
Friedman
tonal matchComes later in the signal chain
Into a transparent tone, Friedman Small Box 50W EL34 Amp Head brings a pull toward high gain that's missing
ENGL Special Edition E670
Engl
tonal matchComes later in the signal chain
Into a transparent tone, ENGL Special Edition E670 brings a pull toward high gain that's missing
Hughes & Kettner Coreblade
Hughes & Kettner
tonal matchComes later in the signal chain
Into a transparent tone, Hughes & Kettner Coreblade brings a pull toward high gain that's missing
Pedals that stack with the MXR M233
Beetronics Overhive
Beetronics
19% matchBeetronics Overhive leans this transparent tone toward medium gain, which it doesn't make on its own
Comes later in the signal chain
Electro-Harmonix Green Russian Big Muff
Electro-Harmonix
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Electro-Harmonix Green Russian Big Muff leans this transparent tone toward mid-forward, which it doesn't make on its own
Comes later in the signal chain
Electro-Harmonix Pico Platform
Electro-Harmonix
15% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Electro-Harmonix Pico Platform leans toward compressed, and that's a real, usable character to pair with
Comes earlier in the signal chain
Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator
pedal
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after MXR M233 in the signal chain, clear of MXR M233's own gain stage
Comes later in the signal chain
Eventide Modulated Delay
Eventide
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Eventide Modulated Delay after MXR M233 in the signal chain, clear of MXR M233's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Boss DD-3 Digital Delay
Boss
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Boss DD-3 Digital Delay after MXR M233 in the signal chain, clear of MXR M233's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Dunlop Echoplex Preamp
Dunlop
tonal matchComes later in the signal chain
Dunlop Echoplex Preamp's smooth balances out the bright tone
Source Audio L.A. Lady
Source Audio
tonal matchComes later in the signal chain
Into a transparent tone, Source Audio L.A. Lady brings a pull toward low gain that's missing
Alternativessee all similar tone character →
MXR MC401 Boost/Line Driver
MXR
61% similarityShared character: staple, low noise floor, true bypass
Xotic RC Booster
Xotic
59% similarityShared character: low noise floor, boost, treble
Vox VXT-1 Accordatore a
Vox
56% similarityShared character: true bypass, bass
Xotic BB Preamp V1.5
Xotic
55% similarityShared character: boost, treble, gain
MXR Super Badass Distortion
MXR
54% similarityShared character: boost, treble, transparent
Analog Man King of Tone
Analog Man
52% similarityShared character: boost, treble, transparent
Boss SD-1 Super OverDrive
Boss
52% similarityShared character: staple, boost, bass
Ibanez TS9 Tube Screamer
Ibanez
52% similarityShared character: original, true bypass, boost
Boss BD-2 Blues Driver
Boss
51% similarityShared character: boost, transparent, gain
Providence HBL-4
Providence
51% similarityShared character: transparent
Black Arts Toneworks -Skyboost
Black Arts Toneworks
50% similarityShared character: boost, treble, transparent
Electronic Audio Experiments Halberd v2
Electronic Audio Experiments
50% similarityShared character: original, true bypass, transparent
See all alternatives to the MXR M233 (cheaper + boutique) →
Questions people ask
What are good alternatives to the MXR M233?+
The closest matches in character are the MXR MC401 Boost/Line Driver, the Xotic RC Booster, the Vox VXT-1 Accordatore a.
What pairs well with the MXR M233?+
Strong matches from rig and tone-complementarity evidence: Marshall Bluesbreaker, Marshall JTM45 45W Tube Guitar Amp Head, Blackstar Unity Bass U250 — Marshall Bluesbreaker leans warm right where the bright tone needs it.
Compare
- vs Boss OD 200 Hybrid Overdrive
- vs Vertex Steel String Supreme SRV (Slight Return Edition)
- vs Fulltone OCD