Pedals that stack with the Eventide Modulated Delay

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Midnattssol's bright, harmonically rich shoegaze fuzz feeds the Modulated Delay's warm, vintage-voiced echo a dense signal to trail off.

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run Tech 21 SansAmp after it and the warm edge settles into something more bright

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the End of Line's experimental, cutting tremolo after the Modulated Delay's warm, pitch-wobbled repeats so the modulation chops the echoes instead of the dry signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Lillian's subtle, bright phase sweep after the Modulated Delay's warm, vintage-voiced echo and the modulation colors the repeats directly.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Fulltone OCD in the signal chain, clear of Fulltone OCD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Silktone Overdrive Plus in the signal chain, clear of Silktone Overdrive Plus's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Tone City Summer Orange in the signal chain, where it won't crowd Tone City Summer Orange

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Electro-Harmonix Crayon in the signal chain — it's not there to compete with Electro-Harmonix Crayon's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the SCF Gold's bright, rich stereo chorus after the Modulated Delay's warm, vintage-voiced echo and the modulation colors the repeats directly.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic MojoMojo Overdrive's full voice out front: Eventide Modulated Delay goes after TC Electronic MojoMojo Overdrive in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Catalinbread Airstrip CB-Range Overdrive Preamp in the signal chain — it's not there to compete with Catalinbread Airstrip CB-Range Overdrive Preamp's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Keeley Red Dirt Overdrive in the signal chain, clear of Keeley Red Dirt Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Knight Audio Technologies Kat-STB in the signal chain, clear of Knight Audio Technologies Kat-STB's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chaos Custom Shop HPF's full voice out front: Eventide Modulated Delay goes after Chaos Custom Shop HPF in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after MXR M83 in the signal chain, where it won't crowd MXR M83

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Henretta Engineering Tone Xciter in the signal chain, where it won't crowd Henretta Engineering Tone Xciter

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after Benson Amps Preamp in the signal chain, clear of Benson Amps Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after CNZ Audio GEQ-5 in the signal chain, where it won't crowd CNZ Audio GEQ-5

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Jackson Audio Bloom MIDI in the signal chain, where it won't crowd Jackson Audio Bloom MIDI

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Modulated Delay after JHS The Overdrive Preamp in the signal chain, clear of JHS The Overdrive Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mad Professor 1 Overdrive's tight voice out front: Eventide Modulated Delay goes after Mad Professor 1 Overdrive in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Eventide Modulated Delay's modulated voice goes after Alexander Pedals Fever Pitch in the signal chain — it's not there to compete with Alexander Pedals Fever Pitch's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Catalinbread Galileo 4K Foundation Overdrive's transparent voice out front: Eventide Modulated Delay goes after Catalinbread Galileo 4K Foundation Overdrive in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Eventide Modulated Delay after Empress Para EQ in the signal chain, where it won't crowd Empress Para EQ

Comes earlier in the signal chain