Pedals that stack with the Eventide Modulated Delay
← everything about the Eventide Modulated Delay
All 132 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dallas Rangemaster Treble Booster
Dallas
23% matchThe Modulated Delay's warm, vintage-voiced echo doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal somewhere warm to trail off.
MXR Distortion+
MXR
22% matchThe Distortion+'s warm, compressed midrange clipping feeds the Modulated Delay's warm, vintage-voiced echo a saturated signal to trail off.
Paul Cochrane Timmy
Paul Cochrane
19% matchKeep the Modulated Delay after the Timmy — the transparent, articulate drive stays clear while the delay's own warmth and wobble trail behind it.
Jackson Audio Prism
Jackson Audio
16% matchPut the Modulated Delay's warm, analog-voiced repeats after the Prism's transparent, EQ'd boost so the echoes trail a clean, defined signal.
Walrus Audio Lillian
Walrus Audio
16% matchRun the Lillian's subtle, bright phase sweep after the Modulated Delay's warm, vintage-voiced echo and the modulation colors the repeats directly.
EarthQuaker Devices Arrows
EarthQuaker Devices
16% matchFeed the Modulated Delay's warm, pitch-wobbled repeats with the Arrows' subtle, sparkling boost so the echoes trail a clearer, more defined signal.
IdiotBox Effects End of Line
Idiotbox Effects
15% matchRun the End of Line's experimental, cutting tremolo after the Modulated Delay's warm, pitch-wobbled repeats so the modulation chops the echoes instead of the dry signal.
Tone City Summer Orange
Tone City
15% matchRun Eventide Modulated Delay after Tone City Summer Orange in the signal chain, clear of Tone City Summer Orange's own gain stage
Behringer Centaur Overdrive
Behringer
15% matchKeep Eventide Modulated Delay after Behringer Centaur Overdrive in the signal chain, clear of Behringer Centaur Overdrive's own gain stage
Boss LMB-3 Bass Limiter/Enhancer
Boss
15% matchEventide Modulated Delay's modulated voice goes after Boss LMB-3 Bass Limiter/Enhancer in the signal chain — it's not there to compete with Boss LMB-3 Bass Limiter/Enhancer's own compressed character
Boss RT-2
Boss
14% matchKeep Eventide Modulated Delay after Boss RT-2 in the signal chain, clear of Boss RT-2's own gain stage
Free The Tone PA-1QA Programmable 10 Band EQ
Free The Tone
14% matchRun the Modulated Delay's warm, pitch-wobbled repeats after the PA-1QA's precise band EQ so the echoes trail a signal that's already tonally balanced.
Electro-Harmonix Nano Pulsar
Electro-Harmonix
14% matchKeep Eventide Modulated Delay after Electro-Harmonix Nano Pulsar in the signal chain, clear of Electro-Harmonix Nano Pulsar's own gain stage
DOD Carcosa
Dod
14% matchRun Eventide Modulated Delay after DOD Carcosa in the signal chain, clear of DOD Carcosa's own gain stage
DOD Carcosa
Digitech
14% matchRun Eventide Modulated Delay after DOD Carcosa in the signal chain, clear of DOD Carcosa's own gain stage
Roland Corp US LMB-3
Roland
14% matchKeep Roland Corp US LMB-3's bright voice out front: Eventide Modulated Delay goes after Roland Corp US LMB-3 in the signal chain so its modulated voice doesn't muddy it
JHS The Overdrive Preamp
JHS Pedals
14% matchKeep Eventide Modulated Delay after JHS The Overdrive Preamp in the signal chain, clear of JHS The Overdrive Preamp's own gain stage
CNZ Audio GEQ-5
Cnz Audio
14% matchPut Eventide Modulated Delay after CNZ Audio GEQ-5 in the signal chain, clear of CNZ Audio GEQ-5's own gain stage
MXR Custom Shop Joe Bonamassa CSP265 FET Driver
pedal
14% matchKeep MXR Custom Shop Joe Bonamassa CSP265 FET Driver's bright voice out front: Eventide Modulated Delay goes after MXR Custom Shop Joe Bonamassa CSP265 FET Driver in the signal chain so its modulated voice doesn't muddy it
Dunlop MXR M282 Dyna Comp Bass
Dunlop
13% matchPut Eventide Modulated Delay after Dunlop MXR M282 Dyna Comp Bass in the signal chain, clear of Dunlop MXR M282 Dyna Comp Bass's own gain stage
Mad Professor 1 Overdrive
Mad Professor
13% matchKeep Mad Professor 1 Overdrive's bright voice out front: Eventide Modulated Delay goes after Mad Professor 1 Overdrive in the signal chain so its modulated voice doesn't muddy it
Silktone Expander
Silktone
13% matchKeep Eventide Modulated Delay after Silktone Expander in the signal chain, clear of Silktone Expander's own gain stage
Tru-Fi Rangemaster Fuzz
Tru Fi
13% matchKeep Tru-Fi Rangemaster Fuzz's bright voice out front: Eventide Modulated Delay goes after Tru-Fi Rangemaster Fuzz in the signal chain so its modulated voice doesn't muddy it
Beetronics Abelha
Beetronics
13% matchKeep Eventide Modulated Delay after Beetronics Abelha in the signal chain, clear of Beetronics Abelha's own gain stage
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