Pedals that stack with the Fender Hammertone Reverb

Fjord Fuzz Odin's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

EarthQuaker Devices Dirt Transmitter leans toward fuzzy, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Hammertone's lush, shimmering reverb gives the Hot Wax's transparent, coloring drive somewhere metallic to decay into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Hammertone Reverb's lush, shimmering wash trails the BF-2's lush, natural flanging into an ambient decay.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after Mooer 003 in the signal chain, clear of Mooer 003's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Caline CP-10 Hot Mushroom Compressor RED Script in the signal chain, where it won't crowd Caline CP-10 Hot Mushroom Compressor RED Script

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Bad after Fender Hammertone Reverb in the signal chain, where it won't crowd Fender Hammertone Reverb

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Artec SE-NGT in the signal chain, where it won't crowd Artec SE-NGT

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Fulltone OCD V2 in the signal chain — it's not there to compete with Fulltone OCD V2's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after GFI System Jonassus Overdrive in the signal chain, clear of GFI System Jonassus Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb's lush voice out front: Boss CE-1 Chorus Ensemble goes after Fender Hammertone Reverb in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Diezel Herbert Overdrive/Distortion/Preamp in the signal chain — it's not there to compete with Diezel Herbert Overdrive/Distortion/Preamp's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after JHS Pedals Morning Glory V4 in the signal chain — it's not there to compete with JHS Pedals Morning Glory V4's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Revv Chat Breaker in the signal chain, clear of Revv Chat Breaker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss OD 200 Hybrid Overdrive's high gain voice out front: Fender Hammertone Reverb goes after Boss OD 200 Hybrid Overdrive in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Hammertone's lush, shimmering reverb after the Opto Comp's smooth compression settles the signal, so the reverb trails an even decay.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Carl Martin Greg Howe Lick Box's high gain voice out front: Fender Hammertone Reverb goes after Carl Martin Greg Howe Lick Box in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after MXR YJM308 Yngwie Malmsteen Overdrive in the signal chain — it's not there to compete with MXR YJM308 Yngwie Malmsteen Overdrive's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after MXR YJM308 Yngwie Malmsteen Overdrive in the signal chain — it's not there to compete with MXR YJM308 Yngwie Malmsteen Overdrive's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Morley 20/20 Classic Wah in the signal chain — it's not there to compete with Morley 20/20 Classic Wah's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Mooer Micro PreAmp 007 (ToneKing Falcon) in the signal chain, clear of Mooer Micro PreAmp 007 (ToneKing Falcon)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after EarthQuaker Devices Life Pedal in the signal chain, clear of EarthQuaker Devices Life Pedal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after J. Rockett Blue Note Select in the signal chain, clear of J. Rockett Blue Note Select's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Palmer Pepamp Mk II in the signal chain, clear of Palmer Pepamp Mk II's own gain stage

Comes earlier in the signal chain