Pedals that stack with the Fender Hammertone Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Cornerstone Colosseum LTD BK's transparent voice out front: Fender Hammertone Reverb goes after Cornerstone Colosseum LTD BK in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after Carl Martin Dual Injection in the signal chain, clear of Carl Martin Dual Injection's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after TC Electronic Gravy in the signal chain, where it won't crowd TC Electronic Gravy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mad Professor - Little Green Wonder HW's transparent voice out front: Fender Hammertone Reverb goes after Mad Professor - Little Green Wonder HW in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Shins Music Shin's Music BOG Wah in the signal chain, where it won't crowd Shins Music Shin's Music BOG Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Orange Amp Detonator in the signal chain, where it won't crowd Orange Amp Detonator

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wadsworth Music Engager Boost's transparent voice out front: Fender Hammertone Reverb goes after Wadsworth Music Engager Boost in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Boss RCL-10 in the signal chain, where it won't crowd Boss RCL-10

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Cusack Music Metaplexi's transparent voice out front: Fender Hammertone Reverb goes after Cusack Music Metaplexi in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Citadel Bus Driver Compressor in the signal chain — it's not there to compete with Citadel Bus Driver Compressor's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Sonicake B Factory Analog Bass Preamp Comp and Overdrive in the signal chain — it's not there to compete with Sonicake B Factory Analog Bass Preamp Comp and Overdrive's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after Zvex Channel 2 in the signal chain, clear of Zvex Channel 2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Keeley Super Rodent in the signal chain, clear of Keeley Super Rodent's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after DOD 280 Compressor in the signal chain, where it won't crowd DOD 280 Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Joyo R-02 Taichi R-Series in the signal chain — it's not there to compete with Joyo R-02 Taichi R-Series's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after Lovepedal ET-ST Eternity Stack in the signal chain, clear of Lovepedal ET-ST Eternity Stack's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Ibanez Booster mini in the signal chain, clear of Ibanez Booster mini's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after TC Electronic Spark Mini Booster in the signal chain, clear of TC Electronic Spark Mini Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Red Witch Seven Sisters Lily Boost in the signal chain, clear of Red Witch Seven Sisters Lily Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb after Beetronics Whoctahell V2 Low Octave Beeast in the signal chain, where it won't crowd Beetronics Whoctahell V2 Low Octave Beeast

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes after Walrus Audio Deep Six V3 in the signal chain — it's not there to compete with Walrus Audio Deep Six V3's own sustaining character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Pasta Pedals Plexi Drive in the signal chain, clear of Pasta Pedals Plexi Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb after Browne Amplification The Fixer Dual Boost/Buffer in the signal chain, clear of Browne Amplification The Fixer Dual Boost/Buffer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after EarthQuaker Devices Plumes KGR Collector Limited #46/100 in the signal chain, clear of EarthQuaker Devices Plumes KGR Collector Limited #46/100's own gain stage

Comes earlier in the signal chain