Pedals that stack with the Fender Prosonic

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Ibanez Tube Screamer on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Dyna Comp's transient squash evens out the pick attack before it ever reaches the Prosonic's own warm, responsive overdrive.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Prosonic's warm, responsive breakup gives the Distortion+'s thick, gritty gain a tube-driven amp voice to push into.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Catalinbread VariOboost leans bright right where the warm tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Prosonic's warm, professional Fender voicing gives the Lillian's subtle analog phasing a responsive amp platform.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Friedman Sir-Compre's own compressed character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Prosonic's warm, responsive overdrive gives the Chelsea's bright, British-voiced drive a genuinely characterful front end to push into.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic leans warm right where the bright tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Fender Prosonic after it and the bright edge settles into something more warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Into the Prosonic's warm, responsive overdrive, the Super Phat Mod's harmonic, blues-voiced clipping has a genuinely characterful signal to color.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic leans warm right where the bright tone needs it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic leans warm right where the bright tone needs it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic's own warm character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Stack the Prism's complex, touring-grade EQ with the Prosonic's own warm, responsive overdrive for real precision.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Aalberg Audio Trym after Fender Prosonic in the signal chain, clear of Fender Prosonic's own gain stage

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic's warm balances out the bright tone — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic leans toward warm, and that's a real, usable character to pair with

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic's warm balances out the bright tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run Fender Prosonic after it and the bright edge settles into something more warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

What Fender Prosonic brings here leans toward warm — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Prosonic's warm, professional Fender overdrive gives the PA-1QA's precise digital EQ shaping something real to sculpt.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Prosonic's warm, responsive overdrive gives the WUB's resonant, notch-filtering EQ a genuinely characterful amp voice to shape.

Goes in front of the amp