Pedals that stack with the Fender Prosonic
← everything about the Fender Prosonic
All 136 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
JHS 3 Series Compressor
JHS Pedals
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
Electronic Audio Experiments Longsword Eastside Exclusive Mono Camo
Electronic Audio Experiments
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Tone City Summer Orange
Tone City
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Revv Tilt
Revv
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm
Goes in front of the amp
Guptech PdeQ
Guptech
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Catalinbread Csidman Ghost
Catalinbread
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Chaos Custom Shop HPF
Chaos Custom Shop
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Goes in front of the amp
Dr. J D-55 Aerolite Compressor
Dr J
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Free The Tone Cosmic Wave Multiple Filtering Delay
Free The Tone
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Old Blood Noise Endeavors Obne Whitecap Tremolo
Old Blood Noise Endeavors
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm
Goes in front of the amp
Artec SE-Peq Parametric Equalizer
Artec
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Into the Prosonic's warm, responsive front end, the SE-Peq's parametric EQ shapes the tone before the amp's own overdrive reacts.
Goes in front of the amp
Source Audio SA263 Collider
Source Audio
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Friedman Gold-72 Wah
Friedman
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Goes in front of the amp
Vintage VFX10
Vintage Sound
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
Fairfield Circuitry Long Life
Fairfield Circuitry
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
MXR SF01
MXR
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Goes in front of the amp
Morley 20/20 Lead Wah MTLW
Morley
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
ThorpyFX Redacted
ThorpyFX
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm
Goes in front of the amp
Keeley Realizer Reverberator Chromalux 2K24 Custom Shop
Keeley
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss EQ 200 Graphic Equalizer
Boss
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Henretta Engineering Tone Xciter
Henretta Engineering
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
Jackson Audio Bloom MIDI
Jackson Audio
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
Universal Audio Evermore Delay
Universal Audio
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Free The Tone Flight Time FT-2Y Delay
Free The Tone
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop