Pedals that stack with the Fender Prosonic
← everything about the Fender Prosonic
All 136 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
MXR Dunlop Silicon Fuzz
MXR
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
MXR ZW-44 Zakk Wylde Overdrive
MXR
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Mission Engineering Delta III SI Silicon Fuzz
Mission Engineering
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
SolidGoldFX Imperial MKII
Solidgoldfx
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
Jackson Audio Bloom EQ Boost Compression
Jackson Audio
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Goes in front of the amp
Catalinbread Skewer
Catalinbread
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Goes in front of the amp
Mooer Grey Faze Fuzz
Mooer
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm
Goes in front of the amp
TC Electronic Spark Booster
TC Electronic
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Vox V847A Wah
pedal
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Behringer CL9
Behringer
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Catalinbread Galileo 4K Foundation Overdrive
Catalinbread
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Keeley Phat Mod
Keeley
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Goes in front of the amp
Benson Amps Tap Tempo
Benson Amps
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Xotic Effects XW-1 Wah
Xotic
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Zvex Octane 3
Zvex
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Fender Prosonic after it and the bright edge settles into something more warm
Goes in front of the amp
Spaceman Effects Apollo VII
Spaceman
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Goes in front of the amp
EarthQuaker Devices Tone Job
EarthQuaker Devices
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm
Goes in front of the amp
Spaceman Spacerocket Silicon Fuzz
Spaceman
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
Alexander Golden Summer Reverb
Alexander Pedals
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Into the Prosonic's warm, responsive front end, the Golden Summer's shimmering reverb layers on top of the amp's own built-in reverb rather than replacing it. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Jackson Audio Bloom MIDI V2
Jackson Audio
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans toward warm, and that's a real, usable character to pair with
Goes in front of the amp
Behringer UC200 Stereo Chorus
Behringer
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Fender Prosonic answers back warm
Goes in front of the amp
Carl Martin Contour
Carl Martin
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp
JHS 3 Series Glitch Delay
JHS Pedals
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
What Fender Prosonic brings here leans toward warm — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Fuzzrocious Baxtabber
Fuzzrocious
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic leans warm right where the bright tone needs it
Goes in front of the amp