Pedals that stack with the 1960s Fender Super Reverb
← everything about the 1960s Fender Super Reverb
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Beetronics Nectar
Beetronics
29% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
The transparent tone has headroom to spare — Beetronics Nectar leans it toward fuzzy to fill it in
Goes in front of the amp
Catalinbread Formula 5F6
Catalinbread
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Run Catalinbread Formula 5F6 into that transparent platform and it finally leans toward mid-forward
Goes in front of the amp
Beetronics Swarm
Beetronics
27% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own
Goes in front of the amp
Origin Effects MAGMA57 Amp Vibrato & Drive
Origin Effects
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Origin Effects MAGMA57 Amp Vibrato & Drive after 1960s Fender Super Reverb in the signal chain, clear of 1960s Fender Super Reverb's own gain stage
Goes in front of the amp
Origin Effects SlideRIG Compact Deluxe
Origin Effects
14% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Origin Effects SlideRIG Compact Deluxe's own compressed character is the real reason this is worth trying
Goes in front of the amp
Dunlop MXR M299 Carbon Copy Mini
Dunlop
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
1960s Fender Super Reverb leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss DD-3 Digital Delay
Boss
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Boss DD-3 Digital Delay in 1960s Fender Super Reverb's effects loop, clear of 1960s Fender Super Reverb's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Related
- everything about the 1960s Fender Super Reverb
- alternatives to the 1960s Fender Super Reverb
- gear with a similar tone character to the 1960s Fender Super Reverb
- amplifiers like the 1960s Fender Super Reverb
- what pairs with the 1960s Fender Super Reverb
- best amplifier for classic rock
- best amplifier for rock
- most popular amplifiers