Pedals that stack with the 1960s Fender Super Reverb

← everything about the 1960s Fender Super Reverb

All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Tone City Model B Distortion TC-T31

Tone City

25% match
$88.80via Reverb

Into a transparent tone, Tone City Model B Distortion TC-T31 brings the high gain it's missing

Carl Martin PlexiTone

Carl Martin

25% match
$135.75via Reverb

Run Carl Martin PlexiTone into that transparent platform and it finally gets some high gain

Carl Martin Crunch Drive

Carl Martin

25% match
$210.96via Reverb

Run Carl Martin Crunch Drive after it and the bright edge settles into something more warm

BBE Tremor V2

Bbe

20% match

Keep BBE Tremor V2 after 1960s Fender Super Reverb in the signal chain, clear of 1960s Fender Super Reverb's own gain stage

Origin Effects SlideRIG Compact Deluxe

Origin Effects

15% match
$285via Reverb

Origin Effects SlideRIG Compact Deluxe's own compressed character is the real reason this is worth trying

Dunlop MXR M299 Carbon Copy Mini

Dunlop

11% match
$152.85via Reverb

1960s Fender Super Reverb leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)

Eventide Modulated Delay

Eventide

8% match

Keep 1960s Fender Super Reverb's spring voice out front: Eventide Modulated Delay goes in 1960s Fender Super Reverb's effects loop so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

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