Pedals that stack with the 1960s Fender Super Reverb

← everything about the 1960s Fender Super Reverb

All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence

Beetronics Nectar

Beetronics

29% match
$199via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

The transparent tone has headroom to spare — Beetronics Nectar leans it toward fuzzy to fill it in

Goes in front of the amp

Catalinbread Formula 5F6

Catalinbread

27% match
$179.99via Reverb

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Run Catalinbread Formula 5F6 into that transparent platform and it finally leans toward mid-forward

Goes in front of the amp

Beetronics Swarm

Beetronics

27% match
$249via Reverb

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Beetronics Swarm leans this transparent tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

Origin Effects MAGMA57 Amp Vibrato & Drive

Origin Effects

16% match
$394.67via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Origin Effects MAGMA57 Amp Vibrato & Drive after 1960s Fender Super Reverb in the signal chain, clear of 1960s Fender Super Reverb's own gain stage

Goes in front of the amp

Origin Effects SlideRIG Compact Deluxe

Origin Effects

14% match
$300via Reverb

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Origin Effects SlideRIG Compact Deluxe's own compressed character is the real reason this is worth trying

Goes in front of the amp

Dunlop MXR M299 Carbon Copy Mini

Dunlop

10% match
$123.97via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

1960s Fender Super Reverb leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Boss DD-3 Digital Delay

Boss

9% match
$134.42via Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay in 1960s Fender Super Reverb's effects loop, clear of 1960s Fender Super Reverb's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Related