Pedals that stack with the Fender Super-Sonic 22 Head

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Greer Tomahawk takes that high gain character and pushes it toward tight

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Catalinbread Formula 5F6 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Friedman BE-OD on top and a high gain tone tightens toward tight

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Origin Effects SlideRIG Compact Deluxe brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run JHS 3 Series Harmonic Tremolo after Fender Super-Sonic 22 Head in the signal chain, clear of Fender Super-Sonic 22 Head's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Fender Super-Sonic 22 Head's effects loop — it's not there to compete with Fender Super-Sonic 22 Head's own high gain character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Fender Super-Sonic 22 Head's high gain voice out front: Mooer A7 Ambience goes in Fender Super-Sonic 22 Head's effects loop so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop