Pedals that stack with the Fender Super-Sonic Head 2-Channel 22-Watt

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Greer Tomahawk takes that high gain character and pushes it toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Friedman BE-OD on top and a high gain tone tightens toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Catalinbread Formula 5F6 and it comes out closer to mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run JHS 3 Series Harmonic Tremolo after Fender Super-Sonic Head 2-Channel 22-Watt in the signal chain, clear of Fender Super-Sonic Head 2-Channel 22-Watt's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Origin Effects SlideRIG Compact Deluxe leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Triple Flashback Delay's tight voice goes in Fender Super-Sonic Head 2-Channel 22-Watt's effects loop — it's not there to compete with Fender Super-Sonic Head 2-Channel 22-Watt's own saturated character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Mooer A7 Ambience in Fender Super-Sonic Head 2-Channel 22-Watt's effects loop, clear of Fender Super-Sonic Head 2-Channel 22-Watt's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop