Pedals that stack with the Fjord Fuzz Berserk

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The FL-8's shoegaze-flavored flanging follows the Berserk's aggressive stoner fuzz for a heavier, textured swirl.

Comes later in the signal chain

Put Fjord Fuzz Berserk in front and the mid-forward tone leans further toward fuzzy

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Put Walrus Audio EB-10 Black Edition in front and the fuzzy tone leans further toward clean boost

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Stacking the Blender's aggressive, boutique stoner fuzz with the Berserk's octave-flavored psychedelic fuzz layers two distinct heavy textures.

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Fjord Fuzz Berserk for more fuzzy on top

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk layers fuzzy onto an already mid-forward signal

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Fjord Fuzz Berserk for more fuzzy on top

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk layers fuzzy onto an already mid-forward signal

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

What Fjord Fuzz Berserk brings here leans toward aggressive — that's worth building a pairing around

Comes earlier in the signal chain

Fjord Fuzz Berserk layers fuzzy onto an already mid-forward signal

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Fjord Fuzz Berserk for more fuzzy on top

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Fjord Fuzz Berserk for more fuzzy on top

Fjord Fuzz Berserk's own aggressive character is the real reason this is worth trying

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Fjord Fuzz Berserk in front and the mid-forward tone leans further toward fuzzy

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

The Melee's ambient, noise-rock reverb gives the Berserk's aggressive stoner fuzz a wash of atmosphere to decay into. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk stacks fuzzy on top of the mid-forward already here

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk layers fuzzy onto an already mid-forward signal

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk stacks fuzzy on top of the mid-forward already here

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Mako D1's high-fidelity stereo delay gives the Berserk's aggressive stoner fuzz a wide, modern space to trail into. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

What Fjord Fuzz Berserk brings here leans toward aggressive — that's worth building a pairing around

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk stacks fuzzy on top of the mid-forward already here

Comes earlier in the signal chain

Run mid-forward into Fjord Fuzz Berserk for more fuzzy on top

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Fjord Fuzz Berserk in front and the mid-forward tone leans further toward fuzzy

Comes earlier in the signal chain