Amps that pair well with the Friedman BE-OD

Supro Ambassador Custom 2x10 Combo leans into a clean amp's front end, precisely the platform Friedman BE-OD wants

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run Friedman BE-OD after it and the warm edge settles into something more bright

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Friedman BE-OD takes that saturated character and pushes it toward tight

Comes later in the signal chain

Supro Royale 1x12 combo leans into a clean amp's front end, precisely the platform Friedman BE-OD wants

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Friedman BE-OD on top and a high gain tone tightens toward tight

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Friedman BE-OD's bright balances out the warm tone

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Friedman BE-OD and it comes out closer to tight

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Friedman BE-OD answers back bright

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Friedman BE-OD pushes a saturated tone toward tight

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The BE-OD's tight, hard-rock gain pushes the Rocket Bass 210's warm, articulate voice into real distortion.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Friedman BE-OD takes that high gain character and pushes it toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Friedman BE-OD and it comes out closer to tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Friedman BE-OD on top and a high gain tone tightens toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Friedman BE-OD takes that high gain character and pushes it toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Friedman BE-OD and it comes out closer to tight

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Friedman BE-OD leans bright right where the dark tone needs it

Comes later in the signal chain

Friedman BE-OD is voiced for a clean amp's front end — Supro Royale 50W Head gives it exactly that

Comes later in the signal chain

Supro 1933R Royale 50W 2x12 Combo leans into a clean amp's front end, precisely the platform Friedman BE-OD wants

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Friedman BE-OD pushes a high gain tone toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Friedman BE-OD on top and a high gain tone tightens toward tight

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Friedman BE-OD pushes a high gain tone toward tight

Comes later in the signal chain

Friedman BE-OD's own voicing points at a clean amp's front end, and Supro 1668RT Jupiter delivers it

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Friedman BE-OD and it comes out closer to tight

Comes later in the signal chain

Into Supro Airwave, Friedman BE-OD is right at home: it's built around a clean amp's front end

Comes later in the signal chain