Amps that pair well with the Friedman BE-OD
← everything about the Friedman BE-OD
All 144 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Supro Delegate Custom 1x12 Combo
Supro
25% matchInto Supro Delegate Custom 1x12 Combo, Friedman BE-OD is right at home: it's built around a clean amp's front end
Comes later in the signal chain
Park P18C Combo
Park
25% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Friedman BE-OD pushes a saturated tone toward tight
Comes later in the signal chain
Fuchs ODS II Custom 25/50 Combo
Fuchs
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Friedman BE-OD's bright balances out the warm tone
Comes later in the signal chain
Blackstar 1R Combo
Blackstar
25% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)
Blackstar 1R Combo leans into a clean amp's front end, precisely the platform Friedman BE-OD wants
Comes later in the signal chain
3rd Power DRGN-100
3rd Power
25% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD takes that high gain character and pushes it toward tight
Comes later in the signal chain
Orange Crush Pro CR120
Orange
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD takes that high gain character and pushes it toward tight
Comes later in the signal chain
Friedman Pink Taco V2 Combo
Friedman
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD takes that high gain character and pushes it toward tight
Comes later in the signal chain
VHT Redline Combo 20w AV-RL20R
Vht
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Friedman BE-OD's bright balances out the warm tone
Comes later in the signal chain
PRS HDRX 20 Head
PRS
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Friedman BE-OD pushes a saturated tone toward tight
Comes later in the signal chain
Orange Rocker 15 Terror
Orange
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD pushes a high gain tone toward tight
Comes later in the signal chain
Orange Crush 60 2 Channel Combo 60
Orange
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD pushes a high gain tone toward tight
Comes later in the signal chain
Friedman BE-50 Deluxe
Friedman
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD takes that high gain character and pushes it toward tight
Comes later in the signal chain
Friedman Box 50Watt
Friedman
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Feed a high gain signal into Friedman BE-OD and it comes out closer to tight
Comes later in the signal chain
Laney AOR 50 Series II
Laney
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Stack Friedman BE-OD on top and a high gain tone tightens toward tight
Comes later in the signal chain
Friedman Phil X Signature
Friedman
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD pushes a high gain tone toward tight
Comes later in the signal chain
Friedman RUNT-20 Combo
Friedman
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD pushes a high gain tone toward tight
Comes later in the signal chain
Marshall Studio JCM900 SN20H
Marshall
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD pushes a high gain tone toward tight
Comes later in the signal chain
Ceriatone 2202H
Ceriatone
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Stack Friedman BE-OD on top and a high gain tone tightens toward tight
Comes later in the signal chain
Orange Super Crush 100
Orange
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD takes that high gain character and pushes it toward tight
Comes later in the signal chain
Fuchs Blackjack21 MKII 112
Fuchs
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Friedman BE-OD answers back bright
Comes later in the signal chain
Fender Super-Sonic 22 Head
Fender
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Stack Friedman BE-OD on top and a high gain tone tightens toward tight
Comes later in the signal chain
Ceriatone Son of Yeti
Ceriatone
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD takes that high gain character and pushes it toward tight
Comes later in the signal chain
Blackstar HT Stage 60 MKII
Blackstar
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Friedman BE-OD takes that high gain character and pushes it toward tight
Comes later in the signal chain
Marshall 2555X Silver Jubilee 100W Reissue
Marshall
23% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)
Stack Friedman BE-OD on top and a high gain tone tightens toward tight
Comes later in the signal chain