Pedals that stack with the Gibson Falcon 20
← everything about the Gibson Falcon 20
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Colorsound Overdriver
pedal
21% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
Run Colorsound Overdriver into that transparent platform and it finally leans toward fuzzy
Goes in front of the amp
Univox Super-Fuzz
Univox
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Run Univox Super-Fuzz into that transparent platform and it finally leans toward mid-forward
Goes in front of the amp
Klon KTR
Klon
19% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
Into a transparent tone, Klon KTR brings a pull toward medium gain that's missing
Goes in front of the amp
TC Electronic Mimiq Doubler
TC Electronic
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after Gibson Falcon 20 in the signal chain, clear of Gibson Falcon 20's own gain stage
Goes in front of the amp
Xotic SP Compressor
Xotic
10% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Gibson Falcon 20's smooth character and Xotic SP Compressor's smooth voice sit in the same lane rather than fighting each other
Goes in front of the amp
Malekko Electro-Harmonix Memory Toy Analog Delay
Electro-Harmonix
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Malekko Electro-Harmonix Memory Toy Analog Delay's modulated voice goes in Gibson Falcon 20's effects loop — it's not there to compete with Gibson Falcon 20's own smooth character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Strymon BigSky
Strymon
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Strymon BigSky in Gibson Falcon 20's effects loop, clear of Gibson Falcon 20's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop