Pedals that stack with the Hiwatt High Tube 100 Head
← everything about the Hiwatt High Tube 100 Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Marshall Guv'nor
Marshall
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Run Marshall Guv'nor into that high headroom platform and it finally leans toward mid-forward
Goes in front of the amp
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
26% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
The high headroom tone has headroom to spare — Black Arts Toneworks LSTR Fuzz leans it toward fuzzy to fill it in
Goes in front of the amp
Beetronics Nectar
Beetronics
25% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
Run Beetronics Nectar into that high headroom platform and it finally leans toward fuzzy
Goes in front of the amp
Electro-Harmonix Bad
Electro-Harmonix
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Electro-Harmonix Bad after Hiwatt High Tube 100 Head in the signal chain, clear of Hiwatt High Tube 100 Head's own gain stage
Goes in front of the amp
Universal Audio 1176 Compressor
Universal Audio
14% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)
What Universal Audio 1176 Compressor brings here leans toward compressed — that's worth building a pairing around
Goes in front of the amp
Binson Echorec Delay
Binson
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay in Hiwatt High Tube 100 Head's effects loop, clear of Hiwatt High Tube 100 Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Meris Polymoon
Meris
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Hiwatt High Tube 100 Head's transparent voice out front: Meris Polymoon goes in Hiwatt High Tube 100 Head's effects loop so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop