Amps that pair well with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

Marshall Super Bass

The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the Super Bass' pedal-platform gain.

Marshall Plexi 1959SLP

The Rotosphere's tube-driven Leslie swirl pairs naturally with the Plexi's dynamic breakup, adding rotating-speaker depth to already-saturated leads.

Park P50 Classic

The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the Park Plexi's own British crunch.

PRS HX 50 Head

The HX 50's driven, tube-forward voicing gives the Rotosphere's Leslie swirl plenty of saturation to spin through.

Marshall JCM800 2203

Put the Rotosphere's tube-driven Leslie swirl after the JCM800's aggressive gain and the rotating motion has real saturation to spin around.

Laney Cub 8 Valve

Run the Cub 8's bright, breakup-prone tube tone into the Rotosphere and its Leslie swirl rides on top of that breakup instead of stacking gain.

Marshall Studio JTM ST20C MkII 20W 1x12 Combo

The Studio JTM's blues-rock breakup gets a spinning, psychedelic character from the Rotosphere rather than more drive.

Orange Matamp

A sweet, singing amp like the Matamp gives the Rotosphere's Leslie swirl a smooth, blues-rock voice to spin around.

Laney Richter

Laney Richter's stage-monitoring eq pairs with the Rotosphere's psychedelic Leslie motion for swirling, rotary-style color rather than more drive.

Marshall Bluesbreaker

The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the Bluesbreaker's own natural compression and breakup.

Suhr SL68 MkII 100-Watt

Add the Rotosphere's Leslie swirl on top of the SL68's own fat, British preamp character for genuine rotary motion.

Laney Ironheart IRT-Studio

The IRT-Studio's valve, recording-ready rhythm gain gives the Rotosphere's Leslie swirl a real amp voice to spin through.

Hiwatt DR103H

Run the Rotosphere's Leslie swirl after the DR103H's own punchy breakup, so the rotary effect spins an already-driven tone instead of a flat clean.

Marshall YJM100 Head

YJM100's boosted, gate-equipped lead tone rides through the Rotosphere's Leslie swirl for a psychedelic spin on an otherwise straightforward lead sound.

PRS HX 100 Head

The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the HX 100's own high-headroom tube breakup.

3rd Power Dragon 25 112 Combo

Run the Rotosphere's Leslie swirl after the Dragon 25's own saturated gain for a psychedelic spin on an already-driven tone.

Marshall Origin 20 Combo

The Origin 20's gigging-ready tube crunch gives the Rotosphere's psychedelic Leslie swirl a driven amp voice to move through.

Friedman Plex

Rotosphere's Leslie swirl rides on top of the Plex's plexi crunch rather than adding gain — psychedelic motion, not more drive.

Laney Digbeth Foundry DBF100

The Digbeth Foundry's clean, fet-driven push gets a Leslie-style swirl from the Rotosphere after the gain, not stacked onto it.

Marshall Studio Vintage SV20H Head White Levant

The SV20H's authentic plexi crunch and singing sustain gets a rotary swirl from the Rotosphere, colored motion rather than more drive.

Blackstar HT-20R MkII

Run the Rotosphere's psychedelic Leslie swirl after the HT-20R's clean, mid-forward British voice and the rotation has a warm signal to spin around.

Marshall Studio Vintage SV20C MkII 20W 1x10 Combo

Studio Vintage SV20C's thick, vintage crunch takes on Leslie-style motion through the Rotosphere without any extra gain stacking.

Marshall JVM410H

Add the Rotosphere's Leslie swirl on top of the JVM410H's own versatile, quintessential Marshall gain for motion without softening the crunch.

Park P45H

Park P45H's warm, British breakup takes on rotary Leslie motion through the Rotosphere instead of any added gain.