Amps that pair well with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the MiniMAX's punchy, flexible gain.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the Super Bass' pedal-platform gain.

Comes later in the signal chain

The HX 50's driven, tube-forward voicing gives the Rotosphere's Leslie swirl plenty of saturation to spin through.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Laney Richter's stage-monitoring eq pairs with the Rotosphere's psychedelic Leslie motion for swirling, rotary-style color rather than more drive.

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Mesa Boogie Subway D-350 in the signal chain, clear of Mesa Boogie Subway D-350's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Peavey MAX 208 in the signal chain, clear of Peavey MAX 208's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Peavey MiniMAX II Bass Head in the signal chain, clear of Peavey MiniMAX II Bass Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Fuchs Blackjack 21 Combo (Black) in the signal chain, clear of Fuchs Blackjack 21 Combo (Black)'s own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Two-Rock Vintage Deluxe 6V6 40W Head in the signal chain, clear of Two-Rock Vintage Deluxe 6V6 40W Head's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Peavey MiniMEGA 1000W Lightweight Bass Head in the signal chain, clear of Peavey MiniMEGA 1000W Lightweight Bass Head's own gain stage

Comes later in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Phil Jones Compact 2 (C2 Black) in the signal chain, clear of Phil Jones Compact 2 (C2 Black)'s own gain stage

Comes later in the signal chain