Pedals that stack with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

Ibanez Tube Screamer

The Screamer's mid-forward boost can push the Rotosphere's tube preamp harder for a more driven rotary swirl.

Klon Centaur

The Rotosphere and Klon are a documented combo, the Klon's transparent boost pushing the Rotosphere's tube preamp into a fuller, more driven Leslie swirl. — also used together by 3 artists

Dawner Prince Boonar

The Boonar's Echorec-style repeats trail naturally after the Rotosphere's tube-driven Leslie swirl, adding vintage echo to the rotating-speaker motion. — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio Fundamental Drive

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Walrus Audio Fundamental Drive in the signal chain, clear of Walrus Audio Fundamental Drive's own gain stage

Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion in the signal chain, clear of Mission Engineering NuAudio Nutube Velocity Overdrive/Distortion's own gain stage

JHS 3 Series Glitch Delay

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after JHS 3 Series Glitch Delay in the signal chain, clear of JHS 3 Series Glitch Delay's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Orange Getaway Driver

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator's transparent voice goes after Orange Getaway Driver in the signal chain — it's not there to compete with Orange Getaway Driver's own warm character

Catalinbread Naga-Viper

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Catalinbread Naga-Viper in the signal chain, clear of Catalinbread Naga-Viper's own gain stage

Carl Martin PlexiRanger

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Carl Martin PlexiRanger in the signal chain, clear of Carl Martin PlexiRanger's own gain stage

Shins Music Shin's Music Double Trouble

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Shins Music Shin's Music Double Trouble in the signal chain, clear of Shins Music Shin's Music Double Trouble's own gain stage

JAM Pedals TubeDreamer MK2

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after JAM Pedals TubeDreamer MK2 in the signal chain, clear of JAM Pedals TubeDreamer MK2's own gain stage

Browne Amplification Carbon X

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Browne Amplification Carbon X in the signal chain, clear of Browne Amplification Carbon X's own gain stage

Meris Polymoon

Keep the Polymoon after the Rotosphere's own Leslie swirl — its own modulated delay adds motion without doubling up on the rotary effect. — goes in the amp's FX loop (or last, into a clean amp)

Wampler Plexi-Drive Deluxe

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Wampler Plexi-Drive Deluxe in the signal chain, clear of Wampler Plexi-Drive Deluxe's own gain stage

Fairfield Circuitry The Barbershop

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Fairfield Circuitry The Barbershop in the signal chain, clear of Fairfield Circuitry The Barbershop's own gain stage

Ashdown James LoMenzo KegaDrive Bass Distortion

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Ashdown James LoMenzo KegaDrive Bass Distortion in the signal chain, clear of Ashdown James LoMenzo KegaDrive Bass Distortion's own gain stage

Catalinbread Naga Viper MkII

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Catalinbread Naga Viper MkII in the signal chain, clear of Catalinbread Naga Viper MkII's own gain stage

Carl Martin Blue Ranger

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Carl Martin Blue Ranger in the signal chain, clear of Carl Martin Blue Ranger's own gain stage

Tone City Plexi 2025

Keep Tone City Plexi 2025's bright voice out front: Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator goes after Tone City Plexi 2025 in the signal chain so its transparent voice doesn't muddy it

Díaz Texas Ranger

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Díaz Texas Ranger in the signal chain, clear of Díaz Texas Ranger's own gain stage — also used together by 1 artist

JAM Pedals Rattler mk.2 Distortion

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after JAM Pedals Rattler mk.2 Distortion in the signal chain, clear of JAM Pedals Rattler mk.2 Distortion's own gain stage

Dunlop TBM1

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Dunlop TBM1 in the signal chain, clear of Dunlop TBM1's own gain stage

Dunlop TBM1

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Dunlop TBM1 in the signal chain, clear of Dunlop TBM1's own gain stage

Wampler Pedals Tweed '57

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator's transparent voice goes after Wampler Pedals Tweed '57 in the signal chain — it's not there to compete with Wampler Pedals Tweed '57's own bright character