Pedals that stack with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after TC Electronic Hall of Fame 2 in the signal chain, where it won't crowd TC Electronic Hall of Fame 2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after MXR M104 Distortion+ in the signal chain, clear of MXR M104 Distortion+'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after MXR M104 Distortion+ in the signal chain, clear of MXR M104 Distortion+'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Chase Bliss Automatone CXM 1978 in the signal chain, where it won't crowd Chase Bliss Automatone CXM 1978 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Suhr Shiba Mini Overdrive in the signal chain, clear of Suhr Shiba Mini Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Boss BP-1w in the signal chain, clear of Boss BP-1w's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Tech 21 DP-3X Dug Pinnick Signature Bass Distortion in the signal chain, clear of Tech 21 DP-3X Dug Pinnick Signature Bass Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Hornby Skewes Treble Booster in the signal chain, clear of Hornby Skewes Treble Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Ampeg Classic Analog Bass Preamp pedal in the signal chain, clear of Ampeg Classic Analog Bass Preamp pedal's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Boss DS-1X in the signal chain, clear of Boss DS-1X's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Ashdown Pro-FX Two-Band Boost in the signal chain, clear of Ashdown Pro-FX Two-Band Boost's own gain stage

Comes earlier in the signal chain

Used together by 1 artist

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Way Huge Electronics Aqua-Puss MkII Analog Delay in the signal chain, where it won't crowd Way Huge Electronics Aqua-Puss MkII Analog Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Vox Valvenergy Copperhead Drive in the signal chain, clear of Vox Valvenergy Copperhead Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after ThorpyFX Wopr in the signal chain, clear of ThorpyFX Wopr's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after MXR Prime Distortion in the signal chain, clear of MXR Prime Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Death By Audio Octave Clang in the signal chain, clear of Death By Audio Octave Clang's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after JHS Ross Distortion in the signal chain, clear of JHS Ross Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after MXR M69P Prime Distortion in the signal chain, clear of MXR M69P Prime Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Dallas Tuxedo Treble Booster in the signal chain, clear of Dallas Tuxedo Treble Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Xotic ACB-V2 in the signal chain, clear of Xotic ACB-V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Neunaber Wet Mono Reverb Pedal in the signal chain, where it won't crowd Neunaber Wet Mono Reverb Pedal — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after NuX NDS-5 Fireman Distortion Dual Brown Sound in the signal chain, clear of NuX NDS-5 Fireman Distortion Dual Brown Sound's own gain stage

Comes earlier in the signal chain

Used together by 2 artists

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Strymon El Capistan dTape Echo in the signal chain, where it won't crowd Strymon El Capistan dTape Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Suhr Brighton Treble Booster in the signal chain, clear of Suhr Brighton Treble Booster's own gain stage

Comes earlier in the signal chain