Pedals that stack with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Friedman BE-OD in the signal chain, clear of Friedman BE-OD's own gain stage

Comes earlier in the signal chain

Used together by 1 artist

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Díaz Texas Ranger in the signal chain, clear of Díaz Texas Ranger's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electronic Audio Experiments Longsword V4.5 in the signal chain, clear of Electronic Audio Experiments Longsword V4.5's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Black Arts Toneworks -Skyboost in the signal chain, clear of Black Arts Toneworks -Skyboost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after EarthQuaker Devices White Light V2 in the signal chain, clear of EarthQuaker Devices White Light V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Ashdown James LoMenzo KegaDrive Bass Distortion in the signal chain, clear of Ashdown James LoMenzo KegaDrive Bass Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after EarthQuaker Devices Barrows Fuzz Attacker in the signal chain, clear of EarthQuaker Devices Barrows Fuzz Attacker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Strymon Sunset Dual Overdrive in the signal chain, clear of Strymon Sunset Dual Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Mythos Air Lane Drive in the signal chain, clear of Mythos Air Lane Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Tone City Noisy Boy in the signal chain, clear of Tone City Noisy Boy's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Revv Tilt Boost (Shawn Tubbs Signature) in the signal chain, clear of Revv Tilt Boost (Shawn Tubbs Signature)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Browne Amplification T4 Fuzz in the signal chain, clear of Browne Amplification T4 Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Fortin Amplification Grind in the signal chain, clear of Fortin Amplification Grind's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Catalinbread Epoch-Set in the signal chain, where it won't crowd Catalinbread Epoch-Set — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Browne Amplification Carbon X in the signal chain, clear of Browne Amplification Carbon X's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Orange Getaway Driver in the signal chain, clear of Orange Getaway Driver's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after NuX SSD-10 in the signal chain, clear of NuX SSD-10's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Pete Cornish SS-3 in the signal chain, clear of Pete Cornish SS-3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after EarthQuaker Devices Gary V1 Fuzz in the signal chain, clear of EarthQuaker Devices Gary V1 Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Xotic Effects SL Drive in the signal chain, clear of Xotic Effects SL Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Shins Music Shin's Music Double Trouble in the signal chain, clear of Shins Music Shin's Music Double Trouble's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electronic Audio Experiments Limelight in the signal chain, clear of Electronic Audio Experiments Limelight's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Lovepedal Hi Volt in the signal chain, clear of Lovepedal Hi Volt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Wampler Plexi-Drive Deluxe in the signal chain, clear of Wampler Plexi-Drive Deluxe's own gain stage

Comes earlier in the signal chain