Pedals that stack with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

Walrus Audio Melee Wall of Noise Black

Layer the Rotosphere's Leslie swirl after the Melee's own massive, distorted reverb wall for motion inside the noise. — goes in the amp's FX loop (or last, into a clean amp)

Crazy Tube Circuits White Whale

Run the Rotosphere's psychedelic Leslie swirl after the White Whale's harmonic reverb-tremolo and the rotation has a genuinely deep signal to spin around. — goes in the amp's FX loop (or last, into a clean amp)

Meris Mercury7 Reverb

Layer the Rotosphere's Leslie swirl after the Mercury7's lush, ambient shoegaze wash for motion inside an already-huge reverb tail. — goes in the amp's FX loop (or last, into a clean amp)

Crazy Tube Circuits Splash MKIV Reverb

Run the Rotosphere's swirling Leslie simulation after the Splash MKIV's spring reverb so the rotary sweep moves an already-ambient signal instead of a dry one. — goes in the amp's FX loop (or last, into a clean amp)

Hungry Robot The Borderland

The Borderland's ambient, lush reverb and the Rotosphere's Leslie swirl are both about space and motion, not gain — stack them and you get layered ambience, not more drive. — goes in the amp's FX loop (or last, into a clean amp)

Pigtronix Echolution

Echolution's rich, ambient delay textures pair with the Rotosphere's psychedelic swirl for a genuinely complex, layered modulation chain. — goes in the amp's FX loop (or last, into a clean amp)

Walrus Audio Fathom

Fathom's ambient, lush reverb and the Rotosphere's rotary swirl both add space and motion — pair them for depth, not more drive. — goes in the amp's FX loop (or last, into a clean amp)

Alexander Pedals Space Race

Run the Rotosphere's Leslie-style swirl after Space Race's shimmering reverb, so the rotary spins the reverb tail instead of getting lost ahead of it. — goes in the amp's FX loop (or last, into a clean amp)

Meris LVX Delay

Meris LVX's ambient, complex delay textures pair with the Rotosphere's rotary swirl for layered motion — modulation on modulation, not more gain. — goes in the amp's FX loop (or last, into a clean amp)

Source Audio Nemesis

Nemesis's platform-style digital delay feeds the Rotosphere's Leslie swirl, stacking two kinds of motion rather than any added gain. — goes in the amp's FX loop (or last, into a clean amp)

TC Electronic Flashback Delay

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after TC Electronic Flashback Delay in the signal chain, clear of TC Electronic Flashback Delay's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Holy Grail Neo

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Holy Grail Neo in the signal chain, clear of Electro-Harmonix Holy Grail Neo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Stereo Memory Man Vintage

Keep Electro-Harmonix Stereo Memory Man Vintage's analog warmth voice out front: Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator goes after Electro-Harmonix Stereo Memory Man Vintage in the signal chain so its transparent voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Oceans 12

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Oceans 12 in the signal chain, clear of Electro-Harmonix Oceans 12's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Pico Oceans 3-Verb

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Pico Oceans 3-Verb in the signal chain, clear of Electro-Harmonix Pico Oceans 3-Verb's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Free the Tone Future Factory FY-1

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Free the Tone Future Factory FY-1 in the signal chain, clear of Free the Tone Future Factory FY-1's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Electro-Harmonix Grand Canyon

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Grand Canyon in the signal chain, clear of Electro-Harmonix Grand Canyon's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

BK Butler 911 Tube Driver

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator's transparent voice goes after BK Butler 911 Tube Driver in the signal chain — it's not there to compete with BK Butler 911 Tube Driver's own smooth character

AmpRx BrownBox

Run the Rotosphere's Leslie-style swirl after the BrownBox's own harmonic transformer boost settles, so the modulation moves a defined tone.

TC Electronic Triple Flashback Delay

Keep TC Electronic Triple Flashback Delay's analog warmth voice out front: Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator goes after TC Electronic Triple Flashback Delay in the signal chain so its transparent voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Z.Vex Double Rock

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Z.Vex Double Rock in the signal chain, clear of Z.Vex Double Rock's own gain stage

Mooer Ocean Machine 2 Devin Townsend Signature

Keep Mooer Ocean Machine 2 Devin Townsend Signature's ambient voice out front: Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator goes after Mooer Ocean Machine 2 Devin Townsend Signature in the signal chain so its transparent voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

JHS Pedals JHS 1966 Italy Tone Bender

Keep JHS Pedals JHS 1966 Italy Tone Bender's germanium voice out front: Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator goes after JHS Pedals JHS 1966 Italy Tone Bender in the signal chain so its transparent voice doesn't muddy it

Horizon Devices Flux Echo

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator's transparent voice goes after Horizon Devices Flux Echo in the signal chain — it's not there to compete with Horizon Devices Flux Echo's own lush character — goes in the amp's FX loop (or last, into a clean amp)