Pedals that stack with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Rotosphere's Leslie-style swirl after the Beano Boost's own raw treble lift settles, so the modulation moves a defined tone.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electronic Audio Experiments Surveyor V2 in the signal chain, clear of Electronic Audio Experiments Surveyor V2's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Tone City Plexi 2025 in the signal chain, clear of Tone City Plexi 2025's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Vertex Steel String Supreme SRV (Slight Return Edition) in the signal chain, clear of Vertex Steel String Supreme SRV (Slight Return Edition)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Tone City Golden Plexi in the signal chain, clear of Tone City Golden Plexi's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Rotosphere's Leslie-style rotary swirl after the Jubilee Silver's crunchy gain settles, so the modulation spins a defined tone instead of raw signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Caroline Guitar Company Crom Hi-Gain Fuzzstortion in the signal chain, clear of Caroline Guitar Company Crom Hi-Gain Fuzzstortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Vertex Steel String MkII Clean Drive in the signal chain, clear of Vertex Steel String MkII Clean Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after MXR M233 in the signal chain, clear of MXR M233's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Wampler Pedals Tweed '57 in the signal chain, clear of Wampler Pedals Tweed '57's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Donner Dumbal Drive in the signal chain, clear of Donner Dumbal Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Boss ML-2 in the signal chain, clear of Boss ML-2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Fender Hammertone Metal in the signal chain, clear of Fender Hammertone Metal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Boss JB-2 in the signal chain, clear of Boss JB-2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Revv Dirt Dog (Joey Landreth Signature Overdrive) in the signal chain, clear of Revv Dirt Dog (Joey Landreth Signature Overdrive)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Friedman Small Box Overdrive in the signal chain, clear of Friedman Small Box Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after JAM Pedals Rattler mk.2 Distortion in the signal chain, clear of JAM Pedals Rattler mk.2 Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Sonicake MiniLane Blue Skreamer Overdrive in the signal chain, clear of Sonicake MiniLane Blue Skreamer Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Revv Shawn Tubbs Tilt in the signal chain, clear of Revv Shawn Tubbs Tilt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Dophix Perseo in the signal chain, clear of Dophix Perseo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Rotosphere's Leslie-style swirl after Fat Rock's own warm, bright attack settles, so the modulation moves a defined tone.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Browne Amplification Ethane in the signal chain, clear of Browne Amplification Ethane's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Hermida Zendrive in the signal chain, clear of Hermida Zendrive's own gain stage

Comes earlier in the signal chain

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Holy Grail Max in the signal chain, where it won't crowd Electro-Harmonix Holy Grail Max — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain