Pedals that stack with the Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Beetronics Wannabee in the signal chain, clear of Beetronics Wannabee's own gain stage

Comes earlier in the signal chain

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Mooer A7 Ambience in the signal chain, where it won't crowd Mooer A7 Ambience — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run the Rotosphere's psychedelic Leslie swirl after the Delay TME's reliable, American-voiced echo and the rotation has real harmonic content to spin around. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Benson Amps Delay in the signal chain, where it won't crowd Benson Amps Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Crazy Tube Circuits Mirage Dual Reverb in the signal chain, where it won't crowd Crazy Tube Circuits Mirage Dual Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Borderland's ambient, lush reverb and the Rotosphere's Leslie swirl are both about space and motion, not gain — stack them and you get layered ambience, not more drive. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Fathom's ambient, lush reverb and the Rotosphere's rotary swirl both add space and motion — pair them for depth, not more drive. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Layer the Rotosphere's Leslie swirl after the Mercury7's lush, ambient shoegaze wash for motion inside an already-huge reverb tail. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Hungry Robot Moby Dick V2 in the signal chain, where it won't crowd Hungry Robot Moby Dick V2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run the Rotosphere's psychedelic Leslie swirl after the Splash's shimmering, surf-voiced reverb and the rotation has a warm signal to spin around. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Meris LVX's ambient, complex delay textures pair with the Rotosphere's rotary swirl for layered motion — modulation on modulation, not more gain. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Nemesis's platform-style digital delay feeds the Rotosphere's Leslie swirl, stacking two kinds of motion rather than any added gain. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Hiwatt WEM Copicat Boost in the signal chain, clear of Hiwatt WEM Copicat Boost's own gain stage

Comes earlier in the signal chain

Run the Rotosphere's swirling Leslie simulation after the Splash MKIV's spring reverb so the rotary sweep moves an already-ambient signal instead of a dry one. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after TC Electronic Hall of Fame Reverb in the signal chain, where it won't crowd TC Electronic Hall of Fame Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Voodoo Lab Proctavia in the signal chain, clear of Voodoo Lab Proctavia's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Vertex Effects Trainwreck in the signal chain, clear of Vertex Effects Trainwreck's own gain stage

Comes earlier in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Holy Grail Neo in the signal chain, where it won't crowd Electro-Harmonix Holy Grail Neo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Old Blood Noise Endeavors Excess in the signal chain, clear of Old Blood Noise Endeavors Excess's own gain stage

Comes earlier in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Universal Audio OX Amp Top Box in the signal chain, clear of Universal Audio OX Amp Top Box's own gain stage

Comes earlier in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Stereo Memory Man Vintage in the signal chain, where it won't crowd Electro-Harmonix Stereo Memory Man Vintage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Pico Oceans 3-Verb in the signal chain, where it won't crowd Electro-Harmonix Pico Oceans 3-Verb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Oceans 11 in the signal chain, where it won't crowd Electro-Harmonix Oceans 11 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Put Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Free the Tone Future Factory FY-1 in the signal chain, where it won't crowd Free the Tone Future Factory FY-1 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain