AnalogMan Beano Boost

Marshall Bluesbreaker

Into the Bluesbreaker's natural, compressed tube breakup, the Beano Boost's raw, honky treble lift pushes real vintage grit.

Port City Pearl 50

Into the Pearl 50's rich, dynamic boutique clean, the Beano Boost's raw, honky treble lift cuts through instead of just adding volume.

Friedman BE-Mini Head

Friedman BE-Mini Head stacks high gain on top of the mid-forward already here

Blackstar St. James 100

Put Blackstar St. James 100 in front and the mid-forward tone leans further toward high gain

Mesa Boogie Triple Crown TC-100 Head

Put Mesa Boogie Triple Crown TC-100 Head in front and the mid-forward tone leans further toward high gain

Blackstar Series One 200

Blackstar Series One 200 layers high gain onto an already mid-forward signal

Hughes & Kettner Coreblade

Run mid-forward into Hughes & Kettner Coreblade for more high gain on top

Hughes & Kettner Warp 7

Hughes & Kettner Warp 7 stacks high gain on top of the mid-forward already here

Electro-Harmonix Hot Wax

Hot Wax's transparent, stackable drive gives the Beano Boost's raw, honky treble lift a fuller gain stage.

ZVEX Fuzz Factory

Keep the Fuzz Factory's gated germanium fuzz ahead of the Beano Boost so the treble lift still shapes a clean signal before the gate chops it up.

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

Run the Rotosphere's Leslie-style swirl after the Beano Boost's own raw treble lift settles, so the modulation moves a defined tone.

Ashdown Velvet Compressor

Run the Velvet Compressor ahead of the Beano Boost for even attack and decay before the honky treble lift kicks in.

Caroline Guitar Company Kilobyte

Keep the Kilobyte's digital echoes trailing after the Beano Boost's raw, honky treble lift, not before, or the delay repeats an unshaped signal. — goes in the amp's FX loop (or last, into a clean amp)

Strymon TimeLine

Keep TimeLine's studio-grade digital delay trailing after the Beano Boost's raw, honky treble lift, not before, or the repeats inherit an unshaped tone. — goes in the amp's FX loop (or last, into a clean amp)

NUX XTC Overdrive

NUX XTC Overdrive layers high gain onto an already mid-forward signal

Caline CP-31 Hot Spice (Black)

Run mid-forward into Caline CP-31 Hot Spice (Black) for more high gain on top