Ibanez Soundtank FL5 Flanger

Fender Bassman Combo Amp

What Fender Bassman Combo Amp brings here leans toward transparent — that's worth building a pairing around

1959 Fender Tweed Deluxe

1959 Fender Tweed Deluxe's own mid-forward character is the real reason this is worth trying

Friedman BE-Mini Head

Friedman BE-Mini Head stacks more saturation onto a low-gain tone

Synergy SL2 Module

Synergy SL2 Module stacks more saturation onto a low-gain tone

Hughes & Kettner Warp 7

Hughes & Kettner Warp 7 stacks more saturation onto a low-gain tone

Peavey 6505 MH 20W Mini Head

Peavey 6505 MH 20W Mini Head stacks more saturation onto a low-gain tone

ENGL Marty Friedman Inferno E766

ENGL Marty Friedman Inferno E766 stacks more saturation onto a low-gain tone

EVH 000

EVH 000 stacks more saturation onto a low-gain tone

Tech 21 SansAmp

Tech 21 SansAmp's own analog warmth character is the real reason this is worth trying

Univox Super-Fuzz

Univox Super-Fuzz leans toward octave, and that's a real, usable character to pair with

Walrus Audio Fable

Keep Walrus Audio Fable after Ibanez Soundtank FL5 Flanger in the signal chain, clear of Ibanez Soundtank FL5 Flanger's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Alexander Pedals Radical Delay

Keep Alexander Pedals Radical Delay after Ibanez Soundtank FL5 Flanger in the signal chain, clear of Ibanez Soundtank FL5 Flanger's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Cusack Music Carolina Reaper Overdrive Fuzz

Cusack Music Carolina Reaper Overdrive Fuzz stacks more saturation onto a low-gain tone

Dr. Scientist Frazz Dazzler V2

Dr. Scientist Frazz Dazzler V2 layers fuzz over a low-gain tone

Crowther Prunes

Crowther Prunes layers fuzz over a low-gain tone

EarthQuaker Devices Dirt Transmitter

EarthQuaker Devices Dirt Transmitter layers fuzz over a low-gain tone