Pedals that stack with the Ibanez TS10 Tube Screamer Classic

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Push the TS10's big, fatty midrange bump with the Odin's own doom-heavy stoner fuzz and it turns into serious weight.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Stack the TS10's big, fatty midrange bump with the Dirt Transmitter's own low-noise gain — it's literally built for exactly this.

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Ibanez TS10 Tube Screamer Classic pushes a crunchy tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Ibanez TS10 Tube Screamer Classic pushes a scooped tone toward mid-forward

Comes later in the signal chain

Ibanez TS10 Tube Screamer Classic's own harmonically rich character is the real reason this is worth trying

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Ibanez TS10 Tube Screamer Classic and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Ibanez TS10 Tube Screamer Classic and it comes out closer to mid-forward

Comes later in the signal chain

Ibanez TS10 Tube Screamer Classic's own harmonically rich character is the real reason this is worth trying

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Ibanez TS10 Tube Screamer Classic and it comes out closer to mid-forward

Comes later in the signal chain

Used together by 1 artist

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Documented together — Phase 90's classic swirl colors the TS10's mid-forward overdrive after the gain, a pairing with real mileage.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Ibanez TS10 Tube Screamer Classic's own harmonically rich character is the real reason this is worth trying

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Ibanez TS10 Tube Screamer Classic takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Ibanez TS10 Tube Screamer Classic's harmonically rich voice suits Alexander Pedals Fever Pitch's own harmonically rich character

Comes earlier in the signal chain

MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with

Comes earlier in the signal chain

Feed the Memory Man's lush analog echo with the TS10's big, fatty midrange bump and the repeats carry that driven signal forward. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Keep Dunlop - MXR Carbon Copy Deluxe Analog Delay after Ibanez TS10 Tube Screamer Classic in the signal chain, clear of Ibanez TS10 Tube Screamer Classic's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain