Amps that pair well with the IdiotBox Effects End of Line
← everything about the IdiotBox Effects End of Line
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dumble Steel String Singer
Dumble
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Dumble Steel String Singer's smooth balances out the bright tone
Comes later in the signal chain
Marshall JTM45 45W Tube Guitar Amp Head
amplifier
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Marshall JTM45 45W Tube Guitar Amp Head answers back warm
Comes later in the signal chain
Orange Little Bass Thing
Orange
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run IdiotBox Effects End of Line after Orange Little Bass Thing in the signal chain, clear of Orange Little Bass Thing's own gain stage
Comes later in the signal chain
Orange Terror Bass
Orange
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep IdiotBox Effects End of Line after Orange Terror Bass in the signal chain, clear of Orange Terror Bass's own gain stage
Comes later in the signal chain
Orange BT1000H Terror Bass 1000-Watt Bass Amp
Orange
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
IdiotBox Effects End of Line's bright voice goes after Orange BT1000H Terror Bass 1000-Watt Bass Amp in the signal chain — it's not there to compete with Orange BT1000H Terror Bass 1000-Watt Bass Amp's own warm character
Comes later in the signal chain
Ampeg RB-112
Ampeg
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run End of Line's experimental, noisy pulse after the RB-112's own gritty punch settles, so the modulation moves a defined tone.
Comes later in the signal chain
Ampeg V-4B 100w Bass Head
Ampeg
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run End of Line's experimental, noisy pulse after the V-4B's own gritty overdrive settles, so the modulation moves a defined tone.
Comes later in the signal chain