Pedals that stack with the J. Rockett Archer Ikon
← everything about the J. Rockett Archer Ikon
All 100 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Revv Tilt Boost (Shawn Tubbs Signature)
Revv
21% matchJ. Rockett Archer Ikon leans this high headroom tone toward low gain, which it doesn't make on its own
Comes earlier in the signal chain
Mad Professor Supreme Overdrive
Mad Professor
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
NuX Masamune
Nux
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Carl Martin Ottawa
Carl Martin
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon's own compressed character is the real reason this is worth trying
Comes earlier in the signal chain
J. Rockett GuthrieTrapp
J Rockett
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Fender Santa Ana Overdrive
Fender
21% matchInto a transparent tone, J. Rockett Archer Ikon brings a pull toward low gain that's missing
JHS Pedals JHS Tumnus
JHS Pedals
21% matchInto a transparent tone, J. Rockett Archer Ikon brings a pull toward low gain that's missing
EarthQuaker Devices Avalanche Run
EarthQuaker Devices
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans toward compressed, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Keeley Neutrino
Keeley
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing
Comes earlier in the signal chain
Electro-Harmonix Pico Swello
Electro-Harmonix
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Comes earlier in the signal chain
Greer Tomo-Hawk
Greer
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Warm Audio Mutation Phasor II
Warm Audio
21% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing
Comes later in the signal chain
Palmer Pepamp Mk II
Palmer
20% matchJ. Rockett Archer Ikon leans this high headroom tone toward low gain, which it doesn't make on its own
Comes later in the signal chain
MXR Dunlop Germanium Fuzz
MXR
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing
Comes later in the signal chain
Mission Engineering Delta III GE Germanium Fuzz
Mission Engineering
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing
Comes later in the signal chain
Alexander Pedals Rewind Programmable Echo
Alexander Pedals
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans toward compressed, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Catalinbread Sinkhole
Catalinbread
20% matchJ. Rockett Archer Ikon's own compressed character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Maxon ST-9 Pro+ Super Tube
Maxon
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing
Dunlop MXR Super Badass Dynamic Overdrive, model M89
Dunlop
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing
Donner Mini Auto Wah
Donner
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Comes earlier in the signal chain
Mr. Black Fwonkbeta
Mr Black
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Comes earlier in the signal chain
Malekko Omicron Analog E Filter V2
Malekko
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
Comes earlier in the signal chain
GFI Rossie
Gfi
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing
Comes earlier in the signal chain
Crazy Tube Circuits Falcon
Crazy Tube Circuits
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own
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