Pedals that stack with the J. Rockett Archer Ikon

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What J. Rockett Archer Ikon brings here leans toward compressed — that's worth building a pairing around

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Let the Phase 90's classic sweep ride on top of the Archer Ikon's compressed drive rather than a bare clean signal.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

J. Rockett Archer Ikon leans this transparent tone toward low gain, which it doesn't make on its own

J. Rockett Archer Ikon leans toward compressed, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

J. Rockett Archer Ikon leans this transparent tone toward low gain, which it doesn't make on its own

Into a transparent tone, J. Rockett Archer Ikon brings a pull toward low gain that's missing

Into a transparent tone, J. Rockett Archer Ikon brings a pull toward low gain that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

J. Rockett Archer Ikon's compressed voice suits Fender The Bends Compressor's own dynamic character

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

J. Rockett Archer Ikon leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

Comes later in the signal chain