Pedals that stack with the J. Rockett Archer

The Archer's creamy, treble-boosted headroom pushes the Dirt Transmitter's stacking-friendly gain stage further.

Fjord Fuzz Odin leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Where this leans dark, J. Rockett Archer answers back bright

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Phase 90's classic-rock sweep follows the Archer's creamy, treble-boosted drive for a defined swirl.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Where this leans dark, J. Rockett Archer answers back bright

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

J. Rockett Archer's bright balances out the dark tone

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

J. Rockett Archer leans bright right where the dark tone needs it

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Where this leans dark, J. Rockett Archer answers back bright

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

J. Rockett Archer leans toward high headroom, and that's a real, usable character to pair with

Comes later in the signal chain

What J. Rockett Archer brings here leans toward high headroom — that's worth building a pairing around

J. Rockett Archer takes that edge of breakup character and pushes it toward low gain

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Where this leans dark, J. Rockett Archer answers back bright

Comes later in the signal chain

J. Rockett Archer takes that edge of breakup character and pushes it toward low gain

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

J. Rockett Archer's bright balances out the dark tone — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Run J. Rockett Archer after it and the dark edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Stack J. Rockett Archer on top and a edge of breakup tone tightens toward low gain

Comes later in the signal chain

J. Rockett Archer takes that edge of breakup character and pushes it toward low gain

J. Rockett Archer pushes a edge of breakup tone toward low gain

Comes later in the signal chain

J. Rockett Archer takes that edge of breakup character and pushes it toward low gain

Stack J. Rockett Archer on top and a edge of breakup tone tightens toward low gain

Into a transparent tone, J. Rockett Archer brings a pull toward low gain that's missing

Comes later in the signal chain

Feed a edge of breakup signal into J. Rockett Archer and it comes out closer to low gain

Comes later in the signal chain

Into a transparent tone, J. Rockett Archer brings a pull toward low gain that's missing

Comes later in the signal chain

J. Rockett Archer pushes a edge of breakup tone toward low gain

Comes later in the signal chain