Pedals that stack with the J. Rockett Archer

J. Rockett Archer leans this transparent tone toward low gain, which it doesn't make on its own

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

J. Rockett Archer's own high headroom character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Caline CP-10 Hot Mushroom Compressor RED Script's own compressed character is the real reason this is worth trying

Comes earlier in the signal chain

Into a transparent tone, J. Rockett Archer brings a pull toward low gain that's missing

Comes earlier in the signal chain

Into a transparent tone, J. Rockett Archer brings a pull toward low gain that's missing

Comes earlier in the signal chain

J. Rockett Archer leans toward high headroom, and that's a real, usable character to pair with

Comes later in the signal chain

Stack J. Rockett Archer on top and a edge of breakup tone tightens toward low gain

Comes earlier in the signal chain

J. Rockett Archer takes that edge of breakup character and pushes it toward low gain

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix XO Deluxe Memory Man after J. Rockett Archer in the signal chain, clear of J. Rockett Archer's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Caroline Guitar Company Kilobyte after J. Rockett Archer in the signal chain, clear of J. Rockett Archer's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

What J. Rockett Archer brings here leans toward high headroom — that's worth building a pairing around

Comes later in the signal chain

What J. Rockett Archer brings here leans toward high headroom — that's worth building a pairing around

Comes later in the signal chain

What J. Rockett Archer brings here leans toward high headroom — that's worth building a pairing around

Comes later in the signal chain

What J. Rockett Archer brings here leans toward high headroom — that's worth building a pairing around

J. Rockett Archer's own high headroom character is the real reason this is worth trying

What J. Rockett Archer brings here leans toward high headroom — that's worth building a pairing around

Comes later in the signal chain

J. Rockett Archer leans toward high headroom, and that's a real, usable character to pair with

What J. Rockett Archer brings here leans toward high headroom — that's worth building a pairing around

J. Rockett Archer's own high headroom character is the real reason this is worth trying

J. Rockett Archer leans toward high headroom, and that's a real, usable character to pair with

Comes later in the signal chain

J. Rockett Archer's own high headroom character is the real reason this is worth trying

Comes later in the signal chain

J. Rockett Archer's own high headroom character is the real reason this is worth trying

Comes later in the signal chain

J. Rockett Archer's own high headroom character is the real reason this is worth trying

Comes later in the signal chain

J. Rockett Archer's own high headroom character is the real reason this is worth trying