Pedals that stack with the Jackson Audio Bloom EQ Boost Compression

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Greer Black Mountain brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Electro-Harmonix Green Russian Big Muff leans smooth right where the bright tone needs it

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Smokin' Amp Co. FX10 BiFet Preamp brings here leans toward low gain — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Wren and Cuff Eye See 78 brings here leans toward gritty — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp leans toward edge of breakup, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What EarthQuaker Devices Zeqd brings here leans toward warm — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Pasta Pedals Plexi Drive brings here leans toward edge of breakup — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Warm Audio Dirty Boy Jr. Overdrive's own compressed character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Zvex Channel 2's own edge of breakup character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Cusack Music Meta Plexi leans toward crunchy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Silktone Loader brings here leans toward edge of breakup — that's worth building a pairing around

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Jackson Audio Bloom EQ Boost Compression in the signal chain, where it won't crowd Jackson Audio Bloom EQ Boost Compression — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Kilobyte after Jackson Audio Bloom EQ Boost Compression in the signal chain, where it won't crowd Jackson Audio Bloom EQ Boost Compression — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Cusack Music Metaplexi leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Universal Audio Uafx Ruby '63 Top Boost Amplifier leans toward airy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Sonicake Blue Skreamer leans toward mid-forward, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Carl Martin THE Fuzz leans toward silicon, and that's a real, usable character to pair with

Comes later in the signal chain