Pedals that stack with the JAM Pedals Retrovibe mk3

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

The Retrovibe's uni-vibe-style swirl follows the Tone Bender's throaty germanium fuzz naturally — that psychedelic pairing is basically a genre unto itself.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Dunlop JDF2 Fuzz Face in the signal chain, clear of Dunlop JDF2 Fuzz Face's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JAM Pedals Retrovibe mk3 after Cusack Music Tap-A-Fuzz in the signal chain, clear of Cusack Music Tap-A-Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Zvex Razzle Dazzle Fuzz Factory in the signal chain, clear of Zvex Razzle Dazzle Fuzz Factory's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Sonicake Rude Mouse Distortion's fuzzy voice out front: JAM Pedals Retrovibe mk3 goes after Sonicake Rude Mouse Distortion in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Dunlop Screamadelica Fuzz Face Distortion's germanium voice out front: JAM Pedals Retrovibe mk3 goes after Dunlop Screamadelica Fuzz Face Distortion in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JAM Pedals Retrovibe mk3 after Electro-Harmonix Flatiron Fuzz in the signal chain, clear of Electro-Harmonix Flatiron Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JAM Pedals Retrovibe mk3 after Spaceman Rumblefuzz II in the signal chain, clear of Spaceman Rumblefuzz II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

JAM Pedals Retrovibe mk3's modulated voice goes after Red Witch Opia in the signal chain — it's not there to compete with Red Witch Opia's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

JAM Pedals Retrovibe mk3's modulated voice goes after JAM Pedals Fuzz Phrase in the signal chain — it's not there to compete with JAM Pedals Fuzz Phrase's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Wampler Velvet Fuzz V2 in the signal chain, clear of Wampler Velvet Fuzz V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JAM Pedals Retrovibe mk3 after Tech 21 Boost Fuzz Metallic in the signal chain, clear of Tech 21 Boost Fuzz Metallic's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Orange Coat Fuzz's fuzzy voice out front: JAM Pedals Retrovibe mk3 goes after Orange Coat Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JAM Pedals Retrovibe mk3 after Henretta Engineering Crimson in the signal chain, clear of Henretta Engineering Crimson's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Wren and Cuff Ace in the signal chain, clear of Wren and Cuff Ace's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Fender Hello Kitty Fuzz in the signal chain, clear of Fender Hello Kitty Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Matthews Effects The Engineer in the signal chain, clear of Matthews Effects The Engineer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JAM Pedals Retrovibe mk3 after Source Audio Kingmaker in the signal chain, clear of Source Audio Kingmaker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put JAM Pedals Retrovibe mk3 after MXR Poly Blue Octave in the signal chain, clear of MXR Poly Blue Octave's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Fjord Fuzz Dovre's fuzzy voice out front: JAM Pedals Retrovibe mk3 goes after Fjord Fuzz Dovre in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Pigtronix Octava Micro V2 in the signal chain, clear of Pigtronix Octava Micro V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JAM Pedals Retrovibe mk3 after Spaceman Nebula Fuzz/Octave Blender in the signal chain, clear of Spaceman Nebula Fuzz/Octave Blender's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

JAM Pedals Retrovibe mk3's modulated voice goes after EarthQuaker Devices Bit Commander in the signal chain — it's not there to compete with EarthQuaker Devices Bit Commander's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JAM Pedals Retrovibe mk3 after Hungry Robot The Collective in the signal chain, clear of Hungry Robot The Collective's own gain stage

Comes earlier in the signal chain