Pedals that stack with the JHS PackRat 9-Way Rodent Distortion

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Push the PackRat's dark, compressed distortion with the Galileo's bright boost stacked after it to cut through without losing that grunge-y low end.

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

The PackRat's dark, compressed distortion gives the Rangemaster's germanium treble boost a much heavier front end to push into.

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

King-Comp's bright, chiming compression ahead of the PackRat evens out attack before the pedal's own dark, filtered distortion.

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Latitude Deluxe's modern, bell-like tremolo pulses on top of the PackRat's dark distortion rather than stacking any gain.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The dynamic tone has headroom to spare — JHS PackRat 9-Way Rodent Distortion leans it toward compressed to fill it in

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Run JHS PackRat 9-Way Rodent Distortion into that dynamic platform and it finally leans toward compressed

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The dynamic tone has headroom to spare — JHS PackRat 9-Way Rodent Distortion leans it toward compressed to fill it in

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

JHS PackRat 9-Way Rodent Distortion leans this dynamic tone toward compressed, which it doesn't make on its own

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, JHS PackRat 9-Way Rodent Distortion brings a pull toward compressed that's missing

Comes earlier in the signal chain