Pedals that stack with the JHS Tidewater Tremolo

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JHS Tidewater Tremolo after ZVEX Fuzz Factory in the signal chain, clear of ZVEX Fuzz Factory's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JHS Tidewater Tremolo after 1959 Dallas Tuxedo Treble Booster in the signal chain, clear of 1959 Dallas Tuxedo Treble Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JHS Tidewater Tremolo after Ashdown Pro-FX Pro Drive in the signal chain, clear of Ashdown Pro-FX Pro Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put JHS Tidewater Tremolo after EarthQuaker Devices Hoof Hybrid Fuzz in the signal chain, clear of EarthQuaker Devices Hoof Hybrid Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Dunlop FFM6 Band of Gypsys Fuzz Face's silicon voice out front: JHS Tidewater Tremolo goes after Dunlop FFM6 Band of Gypsys Fuzz Face in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

JHS Tidewater Tremolo's modulated voice goes after Wren and Cuff De La Riva BM20-Ultra Fuzz in the signal chain — it's not there to compete with Wren and Cuff De La Riva BM20-Ultra Fuzz's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JHS Tidewater Tremolo after smallsound/bigsound Mini in the signal chain, clear of smallsound/bigsound Mini's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Roger Mayer Axis Fuzz's fuzzy voice out front: JHS Tidewater Tremolo goes after Roger Mayer Axis Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put JHS Tidewater Tremolo after Roger Mayer Axis 27 in the signal chain, clear of Roger Mayer Axis 27's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JHS Tidewater Tremolo after Walrus Audio Jupiter V2 in the signal chain, clear of Walrus Audio Jupiter V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

JHS Tidewater Tremolo's modulated voice goes after MXR SF01 in the signal chain — it's not there to compete with MXR SF01's own silicon character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep JHS Tidewater Tremolo after Benson Amps Chimera Preamp Pedal in the signal chain, clear of Benson Amps Chimera Preamp Pedal's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run JHS Tidewater Tremolo after Warm Audio WarmBender Selectable 3 Circuit Fuzz in the signal chain, clear of Warm Audio WarmBender Selectable 3 Circuit Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Beetronics Abelha's fuzzy voice out front: JHS Tidewater Tremolo goes after Beetronics Abelha in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run JHS Tidewater Tremolo after Fairfield Circuitry The Unpleasant Surprise in the signal chain, clear of Fairfield Circuitry The Unpleasant Surprise's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep MXR Hybrid Fuzz's germanium voice out front: JHS Tidewater Tremolo goes after MXR Hybrid Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Dunlop Billy Gibbons Siete Santos Octavio Fuzz's octave voice out front: JHS Tidewater Tremolo goes after Dunlop Billy Gibbons Siete Santos Octavio Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JHS Tidewater Tremolo's modulated voice goes after Walrus Audio Ages Five-State Overdrive in the signal chain — it's not there to compete with Walrus Audio Ages Five-State Overdrive's own low gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run JHS Tidewater Tremolo after ThorpyFX Redacted in the signal chain, clear of ThorpyFX Redacted's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put JHS Tidewater Tremolo after Fuzzrocious Demon King in the signal chain, clear of Fuzzrocious Demon King's own gain stage

Comes earlier in the signal chain

Tidewater's vintage, organic tremolo doesn't stack gain with the Klon Centaur — it pulses the Centaur's midrange breakup rather than adding to it.

Comes earlier in the signal chain

Run the Tidewater's organic, musical tremolo pulse after the Rangemaster's germanium treble boost and the pulse rides on that brighter signal.

Comes earlier in the signal chain

Feed the Memory Man's lush analog echo with the Tidewater's organic, musical tremolo pulse and the repeats carry a rhythmic texture forward. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Benson Amps Delay's slapback voice goes after JHS Tidewater Tremolo in the signal chain — it's not there to compete with JHS Tidewater Tremolo's own modulated character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain