Pedals that stack with the Keeley Halo

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Run the Screamer's mid-forward boost into the Halo's ambient, dual-voice delay and the repeats trail off a driven, colored signal.

Comes earlier in the signal chain

Run the Halo's ambient stereo delay into the SLO's tight, articulate preamp gain and the echoes pick up real harmonic content.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Bad Stone's resonant, organic phase sweep follows the Halo's ambient, dual-voice delay for layered motion.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run EarthQuaker Devices Grand Orbiter V3 after Keeley Halo in the signal chain, where it won't crowd Keeley Halo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after Electro-Harmonix Q-Tron Plus in the signal chain, where it won't crowd Electro-Harmonix Q-Tron Plus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after Ashdown Velvet Compressor in the signal chain, where it won't crowd Ashdown Velvet Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after J. Rockett HRM Hot Rubber Monkey V1 in the signal chain — it's not there to compete with J. Rockett HRM Hot Rubber Monkey V1's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after EarthQuaker Devices Night Wire in the signal chain, where it won't crowd EarthQuaker Devices Night Wire

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after JAM Pedals Harmonious Monk mk2 in the signal chain — it's not there to compete with JAM Pedals Harmonious Monk mk2's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after Xotic Robotalk 1 New Old Stock in the signal chain, where it won't crowd Xotic Robotalk 1 New Old Stock

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo after Friedman IR-J Jake E. Lee Preamp in the signal chain, clear of Friedman IR-J Jake E. Lee Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo after Walrus Audio Mira in the signal chain, where it won't crowd Walrus Audio Mira

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after EarthQuaker Devices Spatial Delivery V3 in the signal chain, where it won't crowd EarthQuaker Devices Spatial Delivery V3

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after Mad Professor Fire Red Fuzz in the signal chain — it's not there to compete with Mad Professor Fire Red Fuzz's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after Spaceman Mission Control: Expressive Audio System in the signal chain — it's not there to compete with Spaceman Mission Control: Expressive Audio System's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after Catalinbread Many Worlds in the signal chain, where it won't crowd Catalinbread Many Worlds

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo after Cry Baby Jimi Hendrix Wah in the signal chain, where it won't crowd Cry Baby Jimi Hendrix Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo after Old Blood Noise Endeavors Flat Flange Shifter Device in the signal chain, where it won't crowd Old Blood Noise Endeavors Flat Flange Shifter Device

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Keeley Halo after Carl Martin Hot Drive 'N Boost mkI in the signal chain, clear of Carl Martin Hot Drive 'N Boost mkI's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maxon AF-9 Auto Filter's analog warmth voice out front: Keeley Halo goes after Maxon AF-9 Auto Filter in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mad Professor Sweet Honey Overdrive's dynamic voice out front: Keeley Halo goes after Mad Professor Sweet Honey Overdrive in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after One Control Lingonberry Overdrive in the signal chain, clear of One Control Lingonberry Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Pigtronix Moon Pool's dynamic voice out front: Keeley Halo goes after Pigtronix Moon Pool in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo after Dunlop "Dimebag" Signature Wah Crybaby in the signal chain, where it won't crowd Dunlop "Dimebag" Signature Wah Crybaby

Comes earlier in the signal chain