Pedals that stack with the Keeley Halo

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after EarthQuaker Devices Hummingbird V4 in the signal chain — it's not there to compete with EarthQuaker Devices Hummingbird V4's own shimmer character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo after Snouse BlackBox Overdrive 2 in the signal chain, clear of Snouse BlackBox Overdrive 2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop Cry Baby's mid-forward voice out front: Keeley Halo goes after Dunlop Cry Baby in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after Singular Sound Talent Knob in the signal chain — it's not there to compete with Singular Sound Talent Knob's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo after Tycobrahe Parapedal Wah in the signal chain, where it won't crowd Tycobrahe Parapedal Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Spaceman Voyager II: Dynamic Tremolo's dynamic voice out front: Keeley Halo goes after Spaceman Voyager II: Dynamic Tremolo in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Subdecay M3 Monophonic's full voice out front: Keeley Halo goes after Subdecay M3 Monophonic in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after Guyatone WRm5 Wah Rocker in the signal chain, where it won't crowd Guyatone WRm5 Wah Rocker

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after Electro-Harmonix Eddy Vibrato/Chorus in the signal chain — it's not there to compete with Electro-Harmonix Eddy Vibrato/Chorus's own modulated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep DOD 250 Overdrive Preamp 50th Anniversary's dynamic voice out front: Keeley Halo goes after DOD 250 Overdrive Preamp 50th Anniversary in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after MXR 105Q Crybaby Bass Wah in the signal chain — it's not there to compete with MXR 105Q Crybaby Bass Wah's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after Maxon VOP-9 Vintage OD PRO in the signal chain — it's not there to compete with Maxon VOP-9 Vintage OD PRO's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after JAM Pedals Rattler mk.2 Distortion in the signal chain, clear of JAM Pedals Rattler mk.2 Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo after Tech 21 GED-2112 Bass in the signal chain, clear of Tech 21 GED-2112 Bass's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes after Emma DiscomBOBulator in the signal chain — it's not there to compete with Emma DiscomBOBulator's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after Digitech Whammy 5 in the signal chain, where it won't crowd Digitech Whammy 5

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo after Catalinbread Dirty Little Secret MKI in the signal chain, clear of Catalinbread Dirty Little Secret MKI's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep 67Audio Harry Balz's dynamic voice out front: Keeley Halo goes after 67Audio Harry Balz in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Klon Centaur-Style Overdrive's transparent voice out front: Keeley Halo goes after Keeley Klon Centaur-Style Overdrive in the signal chain so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after Dunlop DL E MXR M EG 74 in the signal chain, clear of Dunlop DL E MXR M EG 74's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after T-Rex Gull Wah in the signal chain, where it won't crowd T-Rex Gull Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo after DigiTech Whammy Pitch-Shifting Pedal in the signal chain, where it won't crowd DigiTech Whammy Pitch-Shifting Pedal

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo after EWS Eric Gales Brute Drive in the signal chain, clear of EWS Eric Gales Brute Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo after Subdecay Starlight Flanger v2 in the signal chain, where it won't crowd Subdecay Starlight Flanger v2

Comes earlier in the signal chain