Pedals that stack with the Line 6 DL4 Delay Modeler

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after CALIFORNIA WUB Continuum EQ Galaxy Man Edition in the signal chain — it's not there to compete with CALIFORNIA WUB Continuum EQ Galaxy Man Edition's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Catalinbread Silver Kiss Reissue in the signal chain, clear of Catalinbread Silver Kiss Reissue's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the DL4's warm, vintage-voiced delay after the Detox EQ in the chain — shape the tone first so the repeats inherit a cleaner signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Fuzzrocious Baxtabber in the signal chain — it's not there to compete with Fuzzrocious Baxtabber's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Carl Martin Tone Tweaker in the signal chain — it's not there to compete with Carl Martin Tone Tweaker's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Ibanez Pentatone Equalizer in the signal chain, where it won't crowd Ibanez Pentatone Equalizer

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Tone City Noisy Boy in the signal chain — it's not there to compete with Tone City Noisy Boy's own aggressive character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Jackson Audio Bloom MIDI V2 in the signal chain, where it won't crowd Jackson Audio Bloom MIDI V2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep ENO EQ7 7-band EQ's octave voice out front: Line 6 DL4 Delay Modeler goes after ENO EQ7 7-band EQ in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Line 6 DL4 Delay Modeler after FTelettronica Six Band Equalizer in the signal chain, where it won't crowd FTelettronica Six Band Equalizer

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Xotic Effects XW-1 Wah in the signal chain, where it won't crowd Xotic Effects XW-1 Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Revv Tilt in the signal chain — it's not there to compete with Revv Tilt's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Line 6 DL4 Delay Modeler after Catalinbread Gailieo Red Treble Booster in the signal chain, clear of Catalinbread Gailieo Red Treble Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Ashdown James LoMenzo KegaDrive Bass Distortion in the signal chain, clear of Ashdown James LoMenzo KegaDrive Bass Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Catalinbread Skewer in the signal chain, clear of Catalinbread Skewer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Catalinbread Silver Kiss MK2 2007 Reissue in the signal chain, clear of Catalinbread Silver Kiss MK2 2007 Reissue's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Jackson Audio Bloom EQ Boost Compression in the signal chain, where it won't crowd Jackson Audio Bloom EQ Boost Compression

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Guptech PdeQ in the signal chain — it's not there to compete with Guptech PdeQ's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Sadowsky SBP-2 Bass Preamp in the signal chain — it's not there to compete with Sadowsky SBP-2 Bass Preamp's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Revv Tilt Boost (Shawn Tubbs Signature) in the signal chain, clear of Revv Tilt Boost (Shawn Tubbs Signature)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Line 6 DL4 Delay Modeler after Master Effects Manta Ray 3-band Bass Preamp in the signal chain, clear of Master Effects Manta Ray 3-band Bass Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Master Effects Manta Ray 2-band Bass Preamp's bright voice out front: Line 6 DL4 Delay Modeler goes after Master Effects Manta Ray 2-band Bass Preamp in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Sadowsky SBP-1 Bass Preamp/DI in the signal chain, clear of Sadowsky SBP-1 Bass Preamp/DI's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Fairfield Circuitry Long Life in the signal chain — it's not there to compete with Fairfield Circuitry Long Life's own bright character

Comes earlier in the signal chain