Pedals that stack with the Line 6 DL4 Delay Modeler

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Electro-Harmonix Nano Battalion in the signal chain, clear of Electro-Harmonix Nano Battalion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Morley 20/20 Lead Wah MTLW in the signal chain — it's not there to compete with Morley 20/20 Lead Wah MTLW's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Walrus Audio Fundamental Drive in the signal chain — it's not there to compete with Walrus Audio Fundamental Drive's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after JHS Legends Series Smiley 1969 London Fuzz in the signal chain, clear of JHS Legends Series Smiley 1969 London Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Boss EQ 200 Graphic Equalizer in the signal chain — it's not there to compete with Boss EQ 200 Graphic Equalizer's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Friedman Sir-Compre in the signal chain — it's not there to compete with Friedman Sir-Compre's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Line 6 DL4 Delay Modeler after MXR Dunlop Silicon Fuzz in the signal chain, clear of MXR Dunlop Silicon Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after MXR ZW-44 Zakk Wylde Overdrive in the signal chain, clear of MXR ZW-44 Zakk Wylde Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Mission Engineering Delta III SI Silicon Fuzz in the signal chain — it's not there to compete with Mission Engineering Delta III SI Silicon Fuzz's own silicon character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after SolidGoldFX Imperial MKII in the signal chain, clear of SolidGoldFX Imperial MKII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Mythos Air Lane Drive in the signal chain — it's not there to compete with Mythos Air Lane Drive's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Mooer Grey Faze Fuzz in the signal chain — it's not there to compete with Mooer Grey Faze Fuzz's own silicon character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Spark Booster's clean boost voice out front: Line 6 DL4 Delay Modeler goes after TC Electronic Spark Booster in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Phat Mod's harmonically rich voice out front: Line 6 DL4 Delay Modeler goes after Keeley Phat Mod in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after MXR 6-Band EQ in the signal chain, where it won't crowd MXR 6-Band EQ

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mad Professor Mad-Rbo's bright voice out front: Line 6 DL4 Delay Modeler goes after Mad Professor Mad-Rbo in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Hotone B Station in the signal chain, clear of Hotone B Station's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Zvex Octane 3 in the signal chain — it's not there to compete with Zvex Octane 3's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Spaceman Effects Apollo VII in the signal chain, clear of Spaceman Effects Apollo VII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Spaceman Spacerocket Silicon Fuzz in the signal chain, clear of Spaceman Spacerocket Silicon Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Free The Tone Crunchy Chime OD Natural Booster in the signal chain, clear of Free The Tone Crunchy Chime OD Natural Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after JHS 3 Series Compressor in the signal chain, where it won't crowd JHS 3 Series Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Suhr Thump Bass Preamp's bright voice out front: Line 6 DL4 Delay Modeler goes after Suhr Thump Bass Preamp in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after EarthQuaker Devices White Light V2 in the signal chain, clear of EarthQuaker Devices White Light V2's own gain stage

Comes earlier in the signal chain