Pedals that stack with the Line 6 DL4 Delay Modeler

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the DL4 after the OBP-2TK — the boosted bass-treble EQ stays clean and the delay's warm repeats trail behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Old Blood Noise Endeavors Obne Whitecap Tremolo in the signal chain — it's not there to compete with Old Blood Noise Endeavors Obne Whitecap Tremolo's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Díaz Texas Ranger in the signal chain, clear of Díaz Texas Ranger's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Hungry Robot The Monastery Octave Generator in the signal chain, where it won't crowd Hungry Robot The Monastery Octave Generator

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Boss CE-20 Chorus Ensemble in the signal chain, where it won't crowd Boss CE-20 Chorus Ensemble

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Suhr Brighton Treble Booster in the signal chain, clear of Suhr Brighton Treble Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Tech 21 SansAmp Character Plus Mop Top Liverpool in the signal chain — it's not there to compete with Tech 21 SansAmp Character Plus Mop Top Liverpool's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Effects Bakery Choco Cornet EQ's bright voice out front: Line 6 DL4 Delay Modeler goes after Effects Bakery Choco Cornet EQ in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Fender Angry Fuzz in the signal chain — it's not there to compete with Fender Angry Fuzz's own silicon character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Vox VTB-1 Treble Booster in the signal chain, clear of Vox VTB-1 Treble Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Vox CT-03BT in the signal chain, clear of Vox CT-03BT's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after JHS Pedals JHS Lizard Queen in the signal chain, clear of JHS Pedals JHS Lizard Queen's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Fuzzrocious Baxstabber EQ/preamp/tone shaper in the signal chain, clear of Fuzzrocious Baxstabber EQ/preamp/tone shaper's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Line 6 DL4 Delay Modeler after Chaos Custom Shop Crossover in the signal chain, where it won't crowd Chaos Custom Shop Crossover

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Death By Audio Thee Treble in the signal chain, clear of Death By Audio Thee Treble's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Dunlop Cry Baby Junior CBJ95SB in the signal chain, where it won't crowd Dunlop Cry Baby Junior CBJ95SB

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Wren and Cuff Your Face 70s in the signal chain — it's not there to compete with Wren and Cuff Your Face 70s's own silicon character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Line 6 DL4 Delay Modeler after Black Arts Toneworks -Skyboost in the signal chain, clear of Black Arts Toneworks -Skyboost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the DL4's warm, vintage-voiced delay after the SE-Peq's parametric EQ settles, so the repeats trail a defined tone.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Lehle Little Dual II in the signal chain — it's not there to compete with Lehle Little Dual II's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Line 6 DL4 Delay Modeler after Friedman Gold-72 Wah in the signal chain, where it won't crowd Friedman Gold-72 Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Vintage VFX10 in the signal chain, where it won't crowd Vintage VFX10

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Line 6 DL4 Delay Modeler after Mad Professor Ruby Red Booster in the signal chain, clear of Mad Professor Ruby Red Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Line 6 DL4 Delay Modeler's warm voice goes after Free The Tone Tri Avatar in the signal chain — it's not there to compete with Free The Tone Tri Avatar's own analog warmth character

Comes earlier in the signal chain