Pedals that stack with the Line 6 Spider V 30 mk II
← everything about the Line 6 Spider V 30 mk II
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Nobels ODR-1
Nobels
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Nobels ODR-1 brings a pull toward mid-forward that's missing
Goes in front of the amp
Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2
Electro-Harmonix
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans it toward mid-forward to fill it in
Goes in front of the amp
Klon KTR
Klon
24% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
Run Klon KTR into that transparent platform and it finally leans toward medium gain
Goes in front of the amp
Valco Black Hole Vintage Phaser
Valco
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Valco Black Hole Vintage Phaser's smooth voice goes after Line 6 Spider V 30 mk II in the signal chain — it's not there to compete with Line 6 Spider V 30 mk II's own high gain character
Goes in front of the amp
Pigtronix Philosopher's Tone Micro
Pigtronix
15% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Pigtronix Philosopher's Tone Micro brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
Fender Hammertone Reverb
Fender
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Hammertone Reverb in Line 6 Spider V 30 mk II's effects loop, clear of Line 6 Spider V 30 mk II's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Strymon BigSky
Strymon
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)
Keep Strymon BigSky in Line 6 Spider V 30 mk II's effects loop, clear of Line 6 Spider V 30 mk II's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop