Amps that pair well with the Maestro Orbit
← everything about the Maestro Orbit
All 41 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Revv Generator G25 25W Tube Amp Head
Revv
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Revv Generator G25 25W Tube Amp Head in the signal chain, clear of Revv Generator G25 25W Tube Amp Head's own gain stage
Comes later in the signal chain
Revv Generator G20 20-Watt 2-Channel Tube Head
Revv
22% matchPut Revv Generator G20 20-Watt 2-Channel Tube Head in front and the mid-forward tone leans further toward high gain
Comes later in the signal chain
Matchless Chieftain 2X10 Combo Amp
amplifier
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Maestro Orbit after Matchless Chieftain 2X10 Combo Amp in the signal chain, clear of Matchless Chieftain 2X10 Combo Amp's own gain stage
Comes later in the signal chain
Mesa/Boogie Mark IIC+ Head
Mesa Boogie
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Maestro Orbit after Mesa/Boogie Mark IIC+ Head in the signal chain, clear of Mesa/Boogie Mark IIC+ Head's own gain stage
Comes later in the signal chain
Gibson EH-185
Gibson
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Maestro Orbit after Gibson EH-185 in the signal chain, clear of Gibson EH-185's own gain stage
Comes later in the signal chain
Fender Bassman AB165 Amp
amplifier
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Fender Bassman AB165 Amp in the signal chain, clear of Fender Bassman AB165 Amp's own gain stage
Comes later in the signal chain
PRS Archon 50 2-Channel 50W 1x12 Combo
PRS
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after PRS Archon 50 2-Channel 50W 1x12 Combo in the signal chain, clear of PRS Archon 50 2-Channel 50W 1x12 Combo's own gain stage
Comes later in the signal chain
Diezel BIG MAX
Diezel
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Diezel BIG MAX in the signal chain, clear of Diezel BIG MAX's own gain stage
Comes later in the signal chain
Brunetti Singleman 30 Combo
Brunetti
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run this bold, open-voiced phaser after the Singleman's organic, harmonic crunch and the sweep has plenty of saturation to color.
Comes later in the signal chain
Mesa Boogie California Tweed 6V6 2:20 Head
Mesa Boogie
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Maestro Orbit after Mesa Boogie California Tweed 6V6 2:20 Head in the signal chain, clear of Mesa Boogie California Tweed 6V6 2:20 Head's own gain stage
Comes later in the signal chain
Gibson GA-18
Gibson
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Gibson GA-18 in the signal chain, clear of Gibson GA-18's own gain stage
Comes later in the signal chain
Marshall Studio JTM ST20C MkII 20W 1x12 Combo
Marshall
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Marshall Studio JTM ST20C MkII 20W 1x12 Combo in the signal chain, clear of Marshall Studio JTM ST20C MkII 20W 1x12 Combo's own gain stage
Comes later in the signal chain
ENGL E633 Fireball 25
Engl
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after ENGL E633 Fireball 25 in the signal chain, clear of ENGL E633 Fireball 25's own gain stage
Comes later in the signal chain
Bad Cat Ocelot
Bad Cat
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Bad Cat Ocelot in the signal chain, clear of Bad Cat Ocelot's own gain stage
Comes later in the signal chain
Hughes & Kettner Ampman/Clas
Hughes & Kettner
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Hughes & Kettner Ampman/Clas in the signal chain, clear of Hughes & Kettner Ampman/Clas's own gain stage
Comes later in the signal chain
Victory Amplifiers V30 The Countess
Victory
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Victory Amplifiers V30 The Countess in the signal chain, clear of Victory Amplifiers V30 The Countess's own gain stage
Comes later in the signal chain
Orange Dark Terror
Orange
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Maestro Orbit after Orange Dark Terror in the signal chain, clear of Orange Dark Terror's own gain stage
Comes later in the signal chain
Engl E656 Steve Morse
Engl
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Engl E656 Steve Morse in the signal chain, clear of Engl E656 Steve Morse's own gain stage
Comes later in the signal chain
Port City Pearl Head
Port City
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Port City Pearl Head in the signal chain, clear of Port City Pearl Head's own gain stage
Comes later in the signal chain
Laney Ironheart IRT30-112 1x12 Combo
Laney
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Laney Ironheart IRT30-112 1x12 Combo in the signal chain, clear of Laney Ironheart IRT30-112 1x12 Combo's own gain stage
Comes later in the signal chain
Blackstar HT 5RH Head
Blackstar
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Blackstar HT 5RH Head in the signal chain, clear of Blackstar HT 5RH Head's own gain stage
Comes later in the signal chain
Supro Delta King
Supro
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Supro Delta King in the signal chain, clear of Supro Delta King's own gain stage
Comes later in the signal chain
Traynor DH15H
Traynor
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Traynor DH15H in the signal chain, clear of Traynor DH15H's own gain stage
Comes later in the signal chain
Laney LV100
Laney
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Laney LV100 in the signal chain, clear of Laney LV100's own gain stage
Comes later in the signal chain