Pedals that stack with the Marshall JCM800 2203
← everything about the Marshall JCM800 2203
All 67 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Suhr Thornicus Ian Thornly Signature Fuzz
Suhr
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Stack Marshall JCM800 2203 on top and a high gain tone tightens toward mid-forward
Goes in front of the amp
Fender Full Moon
Fender
19% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Feed a high gain signal into Marshall JCM800 2203 and it comes out closer to mid-forward
Goes in front of the amp
Fuzzrocious Blast Furnace
Fuzzrocious
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Stack Marshall JCM800 2203 on top and a high gain tone tightens toward mid-forward
Goes in front of the amp
Dr. Scientist Frazz Dazzler V2
Dr Scientist
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Stack Marshall JCM800 2203 on top and a high gain tone tightens toward mid-forward
Goes in front of the amp
Caroline Guitar Company Wave Cannon Zero
Caroline Guitar Company
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Stack Marshall JCM800 2203 on top and a crunchy tone tightens toward mid-forward
Goes in front of the amp
Black Arts Toneworks Tres Diablos Ruidosos Black Arts Toneworks
Black Arts Toneworks
18% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
What Marshall JCM800 2203 brings here leans toward crunchy — that's worth building a pairing around
Goes in front of the amp
Providence - SDT-3 Stampede DT
Providence
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Feed a high gain signal into Marshall JCM800 2203 and it comes out closer to mid-forward
Goes in front of the amp
JHS Pedals Kilt V2
JHS Pedals
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Feed a crunchy signal into Marshall JCM800 2203 and it comes out closer to mid-forward
Goes in front of the amp
REVV G4 V2 Distortion
Revv
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Feed a high gain signal into Marshall JCM800 2203 and it comes out closer to mid-forward
Goes in front of the amp
Jackson Audio Modern Fuzz Deluxe
Jackson Audio
18% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Feed a high gain signal into Marshall JCM800 2203 and it comes out closer to mid-forward
Goes in front of the amp
Outlaw Effects RockerBox
Outlaw Effects
18% matchWhat Marshall JCM800 2203 brings here leans toward crunchy — that's worth building a pairing around
Goes in front of the amp
Mooer Solo
Mooer
17% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Marshall JCM800 2203 pushes a crunchy tone toward mid-forward
Goes in front of the amp
JHS Pedals Kilt 10th Anniversary
JHS Pedals
17% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)
Marshall JCM800 2203 leans toward crunchy, and that's a real, usable character to pair with
Goes in front of the amp
Tone City TC Model M V2
Tone City
17% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)
Stack Marshall JCM800 2203 on top and a high gain tone tightens toward mid-forward
Goes in front of the amp
Acoustic Strymon Compadre Dual Voice Compressor
Acoustic
15% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Acoustic Strymon Compadre Dual Voice Compressor's own compressed character is the real reason this is worth trying
Goes in front of the amp
Spaceman Effects Charon
Spaceman
15% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Marshall JCM800 2203 leans toward crunchy, and that's a real, usable character to pair with
Goes in front of the amp
Old Blood Noise Endeavors Haunt
Old Blood Noise Endeavors
14% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
What Marshall JCM800 2203 brings here leans toward crunchy — that's worth building a pairing around
Goes in front of the amp
One Control BJFe Series Rocket Fuzz
One Control
14% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Marshall JCM800 2203's own crunchy character is the real reason this is worth trying
Goes in front of the amp
Electro-Harmonix XO Deluxe Memory Man
Electro-Harmonix
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Marshall JCM800 2203's crunchy voice out front: Electro-Harmonix XO Deluxe Memory Man goes in Marshall JCM800 2203's effects loop so its analog warmth voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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