Pedals that stack with the Marshall Plexi 1959SLP

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)

The Carbon's tight low end and high-cut toggle are built for stacking, cutting cleanly into the Plexi's classic rock crunch without turning to mud.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack the BE-OD in front of the Plexi for a tighter, more modern low end than the amp's natural sag gives you alone.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)

Feed a saturated signal into Analog Man King of Tone and it comes out closer to clean boost

Goes in front of the amp

The Gritador's asymmetrical midrange clipping pushes the Plexi's aggressive classic-rock saturation further.

Goes in front of the amp

Marshall Plexi 1959SLP leans toward aggressive, and that's a real, usable character to pair with

Goes in front of the amp

Both lean toward crunchy and aggressive respectively — close enough in character that they complement instead of clashing

Goes in front of the amp

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

Goes in front of the amp

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

Goes in front of the amp

Both lean toward gritty and aggressive respectively — close enough in character that they complement instead of clashing

Goes in front of the amp

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

Goes in front of the amp

Put Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall Plexi 1959SLP in the signal chain, clear of Marshall Plexi 1959SLP's own gain stage

Goes in front of the amp

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

Goes in front of the amp

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around

Goes in front of the amp

Run Catalinbread Dirty Little Secret Deluxe in Marshall Plexi 1959SLP's effects loop, clear of Marshall Plexi 1959SLP's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Universal Audio 1176 Compressor leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

What Marshall Plexi 1959SLP brings here leans toward aggressive — that's worth building a pairing around

Goes in front of the amp

The SDE-3000D's iconic digital delay gives the Plexi's aggressive classic-rock saturation a modern echo to trail into. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

The Plexi's aggressive classic-rock saturation gives the Blender's dry, psychedelic octave fuzz a driven amp voice to push into.

Goes in front of the amp

The EB-10's boutique preamp boost gives the Plexi's aggressive classic-rock saturation extra tonal shaping.

Goes in front of the amp

The Plexi's aggressive, saturated tube breakup gives the Eras' boutique metal distortion a genuinely heavy amp voice to push into.

Goes in front of the amp

Used together by 1 artist

Documented together in one player's rig - the Blue Box's octave fuzz turns thick and wild through the 1959SLP's aggressive plexi saturation.

Goes in front of the amp

Let the Flint's vintage tremolo and reverb trail the 1959SLP's aggressive saturation for a surfy finish on a heavy amp.

Goes in front of the amp

The Plexi's aggressive, saturated tube breakup gives the Big Rock Pro's fat, modern distortion serious weight to push against.

Goes in front of the amp

Marshall Plexi 1959SLP's own aggressive character is the real reason this is worth trying

Goes in front of the amp